tag:blogger.com,1999:blog-11950369901557362132024-02-19T21:51:25.217+11:00Fare Dinkum
TEMPER GASTRONOMIC BIAS AUSTRALIANAGeorge Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.comBlogger186125tag:blogger.com,1999:blog-1195036990155736213.post-86895590799716494102019-01-16T10:05:00.000+11:002019-03-07T11:59:11.670+11:00The Last Summer at Chris’s in Lorne <br />
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<div class="MsoNormal">
The Last Summer at Chris’s in Lorne</div>
<div class="MsoNormal">
I was a late comer to Chris’s. <span style="mso-spacerun: yes;"> </span>This little unpretentious 40 seat café had
already made its name for decades as the place to be in Lorne for honest simple
grills and sensational seafood. Chris would start the day early at the pier
bagging the best seafood of the day, big sacks of crayfish, tubs of proper
calamari. Gemfish was the most popular fish du jour. He would make Kakavia the
Greek fisherman’s soup, pure pistachio Baklava and a mess of chocolate mousse
before finalising all the orders and preparing breakfast for his elderly parents
who came from Greece for the southern summer. By the time I started my day
around 3pm Chris had already ensconced himself at the sidewalk table spruiking
the day to the passing parade of regulars booking tables and running to and fro
to the TAB for the day’s bets. Stevie, Sammy and all the other Greek old boys
who ran the café scene in Lorne would gently break each others balls over
coffee and gossip. Kosta, Chris’s younger brother would often call in to
“borrow” a few cray and take the parents up the road to his café to see the
grandchildren. </div>
<div class="MsoNormal">
This summer was different the pressure was on from the big
developers. David Mariner was hovering he had to get Christos to sell up to
realise his big fuck off development A serious charm offensive. Eventually he
made an offer too good to refuse and the countdown was on. </div>
<div class="MsoNormal">
The staff were a motley crew of local grommets, super smart
university students and a few experienced hospitality tragics.<span style="mso-spacerun: yes;"> </span>Many lived or camped out the back of the
shop.</div>
<div class="MsoNormal">
It was a small restaurant with a small kitchen that did
seriously big numbers. </div>
<div class="MsoNormal">
A big thick flat grill ruled as the kitchen piano.<span style="mso-spacerun: yes;"> </span>Chris had a remarkably simple system of
service that echoed how Chinese restaurants worked. One of the young Einsteins
would receive the orders and get the raw produce from the fridge, a bowl of scallops, a
couple of steaks, a clutch of calamari etc while
verballing the whole service to the 2 cooks on the grill and stove. Aboyeur and
Garde Manger in one.<span style="mso-spacerun: yes;"> </span>Crays were
dispatched to order before going on the grill or under the salamander with a
swift cut through the head down the centre for a quick death.</div>
<div class="MsoNormal">
The caller had to have the skills of an air traffic
controller and the patience of a saint to talk through the often 3 sittings
that would smash us on the grill every night in the season. The seafood was
simply seasoned with garlic oil salt and pepper. Broiled on the flat top and
served. The crays were the same or finished with a brandy sauce made a la
minute for each one. There was a real Greek salad with the finest Fetta and
good herbs and the famous roast potato. It took me a while to fully understand
the lore of the potato. It was always Christos who put it on very carefully
around 4pm in a big galvanised crate filled with about 80 big unpeeled but washed
dry spuds not sure of the variety but they were not Kennebecs. There was a
second tray for the 9pm sitting By 6pm they were baked potatoes, by 7.30 they
had a crisp crust and by 9.30 they were nearly hollow with a crunchy skin and a
smoky layer of silken spud. One weekday night just after I started the
delightful Bob Cowcher was due late.<span style="mso-spacerun: yes;">
</span>Chris kept us there to wait for his friend with a special bottle. I was
worried that I only had about 3 potatoes left and they were rapidly shrinking.
As I was leaving I said Hi to bob and apologised for the spud and I can still
visualise his smiling response “George I was dreaming about that potato all the
way from New York.” That’s what I call a signature dish.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
Service began around 5.30 with families coming straight off
the beach slowly building up to the first official service around 7pm these
diners were well trained to be out by 9pm. </div>
<div class="MsoNormal">
There was a doorman with a job of responsibility who herded
the walkins armed with a roll of $5 notes from Chris that he would convince
parents to give to their teenage children to go and get fish and chips or play
the pinnies while the oldies could relax over a bottle, a cray or a big fillet
steak. There were 3 normal sidewalk tables but often the footpath would be full
of tables of diners right up past the old post office full of happy campers </div>
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<div class="MsoNormal">
The heat in the kitchen would come to a screaming crescendo
around 8pm to make sure the 9pm setting was ready to roll. </div>
<div class="MsoNormal">
Chris had a very clever pressure valve installed in the
shape of a punching bag hung in the corridor out the back that he, and all of
us including the diners, would occasionally consult when the merde frapped le
ventilateur. </div>
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If we were lucky we could catch our breath before the nine
o’clock rush. </div>
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This was the main course. After 9pm the real regulars would
descend on the dining room. Christos knew just where to seat this A list. </div>
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<div class="MsoNormal">
Joe
and Patrice Saba had a table every night for at least 8 often a lot more that
would spill into the rest of the room creating a soiree that continued well
into the night. Pinder was buying the Burley Griffin Knitlok mansion. Rennie
Ellis captured these scenes forever. </div>
<div class="MsoNormal">
Chris worked the floor all night sampling the premier cru
BYO’s and generously flirting with his adoring public. It was the toughest
brigade I have worked with. Penny made sure everyone behaved themselves.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>A summer of love
tinged with sadness because of course the bulldozers would soon erase this
sacred site. For what?</div>
<div class="MsoNormal">
You can still find Christos Penny and Taki<span style="mso-spacerun: yes;"> </span>[this is really a reminder to self to go
soon] at Beacon point at Skenes Creek near Apollo Bay where the story
continues.<span style="mso-spacerun: yes;"> </span></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-12625619154087407242019-01-09T20:07:00.000+11:002019-01-09T20:47:45.909+11:00Lost and Found Vanne Trompf and Percy Everett<!--[if gte mso 9]><xml>
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Lost and Found</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="mso-spacerun: yes;"> </span>Percy Everett and Vanne Trompf<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
This is the story of three buildings, two architects and a
lifelong love of the Moderne.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>My Art Deco epiphany
came in 1972 when a friend came back from London with Bevis Hillier’s catalogue
to the ground-breaking <i style="mso-bidi-font-style: normal;">World of Art Deco</i>
exhibition at the Minneapolis Institute of Art in 1971. The book lit a spark
within our group of friends and we became hunters and collectors with an
insatiable appetite for all things Art Deco. Deeply infected with the Deco bug
most of our spare time and money was spent in op shops, antique shops, auctions
and flea markets until our student shared houses were styled to the hilt in
what would now be called Acid-Moderne.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>I knew it had got
serious when we had a whole room devoted to rescued mirrored tables. </div>
<div class="MsoNormal">
.<span style="mso-spacerun: yes;"> </span>We scoured the
city and suburbs making guerrilla raids to country centres and revelled in the
architecture but it would take another forty years to discover that it is Percy
Edgar Everett’s work that holds the distinct bass line to the rhythm of Art
Deco architecture in Melbourne and indeed all of Victoria.</div>
<div class="MsoNormal">
Bursting with clutter we realised that to feed this obsession
we would have to dispense with items in order to find space for more. I found a
vacant classic tiny deco boutique with rounded brass bound windows and a
classic door motif Both no longer in place] that became our logo at 109 Collins
street Melbourne.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzwDW1OMHyoqgPN_YQz7yT6EyVd4HFobuHzOm3h64hsvk2285RtyetANqUHRUN1L4A1GuO9S8RBKCI4G7qrIPq_4lkDn11Jof-sCDum9sfxSIbvm0IbewAYGQ19b9q1rVdyi9Bt4H6y7Q/s1600/Early+album+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzwDW1OMHyoqgPN_YQz7yT6EyVd4HFobuHzOm3h64hsvk2285RtyetANqUHRUN1L4A1GuO9S8RBKCI4G7qrIPq_4lkDn11Jof-sCDum9sfxSIbvm0IbewAYGQ19b9q1rVdyi9Bt4H6y7Q/s400/Early+album+1.jpg" width="400" /></a></div>
<div class="MsoNormal">
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<div class="MsoNormal">
It was still a working gentleman's hair salon in 1973 called
Jockels with Mr. Bill Routlege on the scissors and strop in the basement. A
small group of mates and I leased it, kept the name and became gonzo Art Deco
dealers. When we opened Miss. Whiteman of Le louvre flounced in, looked us up
and down, saw the faux leopard skin on the ebonised Bauhaus style desk and
offered a regal welcome to Collins Street. We had passed the toughest
test.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>We eventually passed on
the shop on to my friend Paul Craft of Paraphernalia who moved up from the
Block Arcade. </div>
<div class="MsoNormal">
In 1975 I embarked on another equally strong passion, a life
of professional cooking and restaurants. Our dining rooms were filled with chrome
and bentwood littered with Ward, Lowen, Sebel and Featherston chairs that, to
most people, was just “shabby chic mix n match”. But bookings from the
cognoscenti sometimes discreetly asked for the Featherston stem chairs and
table by the bookcase. </div>
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After three decades at Sunnybrae Farm and Restaurant near
Birregurra Diane and I were looking for a small modernist house to retire to
and in 2013 we stumbled upon a little “Eichlerish” house in Kyneton. The
architect was not known to the real estate agent or the council and it would
take four years to identify the designer as Vanne Trompf who had a practice in
Kyneton in the seventies.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRoSdyJqTm24sgNcB7RGGoHtHRZgCtHiA6WTssDoZ2yC1stA8N_kDrKF2D_a-U9TCHuVVxrWRWo8Iv3IFMom4L_zOOkMxzPkho3iWzNctJXMWX3URkOBq1QYZyYmUUPJOUFSEkFS23a9A/s1600/P1060475.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRoSdyJqTm24sgNcB7RGGoHtHRZgCtHiA6WTssDoZ2yC1stA8N_kDrKF2D_a-U9TCHuVVxrWRWo8Iv3IFMom4L_zOOkMxzPkho3iWzNctJXMWX3URkOBq1QYZyYmUUPJOUFSEkFS23a9A/s320/P1060475.JPG" width="320" /></a></div>
Vanne was part of the modernist movement in Melbourne
and was for a time a lecturer at RMIT. </div>
<div class="MsoNormal">
I wrote Vanne a note to say how much we loved the house and
he offered a cheeky invitation to check out his aluminium earthship on a big
farm in the shadows of the Grampians.</div>
<div class="MsoNormal">
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On arrival at Chez Trompf you are greeted by an understated Zincalume
covered courtyard housing water tanks where the tail of a 1953 silver aluminium
H G Mulliner coachwork, Type R Bentley Continental’s Batmobile bum protrudes
out of the southside garage.</div>
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<div class="MsoNormal">
Vanne had said he liked aluminium. The functional
eco features of his 1983 house can be read clearly from the brutalist exterior
and sits perfectly in the landscape. It’s a slow reveal as you enter to the 180-degree
views of the Grampians. The interior is based on Indian Havelis that allow
cross ventilation with rooms divided by low walls that do not extend all the
way to the ceiling. A brutal natural granite two-sided fireplace takes central
focus in the living areas. The walls are decorated with early designs, his
daughter’s paintings, rich textiles and the work of [another Australian Art
Deco hero] his relative Percy Trompf’s iconic posters. <span style="mso-spacerun: yes;"> </span>The Grampians follow you through the house and
you can feel the spirituality of country.</div>
<div class="MsoNormal">
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<span style="mso-spacerun: yes;"> </span>Over a cup of tea, we
learn that due to Vanne’s poor health, the farm has been sold and they are
moving to Hamilton. On the way out, Vanne’s wife Judy says how thrilled he was
to hear that his little house in Kyneton is being lived in and loved.</div>
<div class="MsoNormal">
We decide to spend some time in Hamilton before returning to
Kyneton and stumble upon what at first looked like a white landlocked tugboat
bursting out of an embankment and that early thrill of unexpectedly finding a
great Art Deco masterpiece came flooding back. </div>
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<div class="MsoNormal">
Percy Everett’s building is in the grounds of the Hamilton
Base Hospital and one of the nurses explained that it was originally a
tuberculosis “chalet”. It is only after probing Professor Google that Percy’s
epic story as chief architect of the Victorian Public Works Department from 1934
to 1953 is revealed. </div>
<div class="MsoNormal">
The TB sanatorium, one of a number that Percy designed, was
for the use of 14 patients and all the design elements are purely functional from
the tubular X Ray room to the ramps and the semi open fully glazed northern
orientation. It was built in 1944-5 but by 1947 Tuberculosis had found a cure and
while many of the other <i style="mso-bidi-font-style: normal;">Chalet</i> have
gone this <i style="mso-bidi-font-style: normal;">little tugboat that could, </i>in
my opinion the most playful and personal of his buildings,<i style="mso-bidi-font-style: normal;"> </i>is thankfully fully conserved and serving the community as a
modern rehabilitation centre. Percy’s career is too important for an amateur
like me to summarise here but a look at Rohan Storey’s collation of Percy
Everett’s greatest hits on the link below will reveal how important his work is
to the architectural fabric of Victoria. Who is going to write the Everett
book? </div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span class="MsoHyperlink"><a href="https://www.pinterest.com.au/rohanstorey/percy-everett-victorian-chief-architect-1935-1953/">https://www.pinterest.com.au/rohanstorey/percy-everett-victorian-chief-architect-1935-1953/</a></span></div>
<div class="MsoNormal">
Postscript: Sadly, Vanne Trompf died in 2017.<span style="mso-spacerun: yes;"> </span><br />
<br />
<span style="mso-spacerun: yes;">This was published in Spirit of Progress the Journal of the Art deco and Modernist Society of Australia Spring 2018 </span></div>
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<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com2tag:blogger.com,1999:blog-1195036990155736213.post-20185697415946305952018-01-05T10:35:00.004+11:002021-07-13T18:32:03.676+10:00A Matter of Taste<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD1XisSXxM1YcUpemjks8bN5cPu7J4dgg5Kx2wxUJh9sijrF0BL5hZ9CQa48mXUlKkh2EFCPxo1YSh2xWUWWvHjjbGMlgr43s_HNAZWnIe60upxv4Up0SGMRn_CknWh-OUDCvvbbxGEVw/s1600/_1060758.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1593" data-original-width="1600" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD1XisSXxM1YcUpemjks8bN5cPu7J4dgg5Kx2wxUJh9sijrF0BL5hZ9CQa48mXUlKkh2EFCPxo1YSh2xWUWWvHjjbGMlgr43s_HNAZWnIe60upxv4Up0SGMRn_CknWh-OUDCvvbbxGEVw/s400/_1060758.JPG" width="400" /></a></div>
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Its 1974 I’m sitting on the stairs at the old Joel’s Auction
rooms in McKillop Street Melbourne waiting for a lot to come up. In those days
the most extraordinary stuff turned up for sale and that day it was a job-lot
of about 300 political cartoons that belonged to Australian Prime Minister
Billy Hughes’ private secretary Percy Deane . I had spent the last 24 hours trying to work
out how I was going to get the money to buy this most important collection. By
the next day I had reconciled having to let it go and waited to see how much
interest they would bring. As the lot came up the bidding stalled at $750 and
before I knew it I had bought the collection for $800 thinking it would surely
go for thousands?? I wrote a cheque and realised I had until Monday [Joel’s are
still selling on Thursdays] to cover the cheque. My first call was to show them
to my friend and “go to guy” for cartoons Vane Lindesay the great Australian Black
and White artist and historian whose cartoons graced Australasian Post and many
other publications. </div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmPvZqnGvaz1OL7GNGoBKFGVGpI7zy763mkMbA4FySR7GtssDo2j1MTb8VimlGm21nTkGR1qpdxyYtaOI2oeQj6foMIXybsS5U1lUbKNbwextNvzVRv49T9-aAyubivrAD6Khk3Sb4D3I/s1600/_1060759.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1073" data-original-width="1600" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmPvZqnGvaz1OL7GNGoBKFGVGpI7zy763mkMbA4FySR7GtssDo2j1MTb8VimlGm21nTkGR1qpdxyYtaOI2oeQj6foMIXybsS5U1lUbKNbwextNvzVRv49T9-aAyubivrAD6Khk3Sb4D3I/s400/_1060759.JPG" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_91pf6r61ubAlPkJqYou0MsV2imEXDU-nQEQHzj03J7iqRVVwvS6JE44vZCHgD4L24KjJ0hStIVlH_KqNBXZvh162-9RPgZlJdMOH2ECWeYzDmU4eZikjXo7C8h4A2X7833cOkJeCDrE/s1600/_1060760.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1004" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_91pf6r61ubAlPkJqYou0MsV2imEXDU-nQEQHzj03J7iqRVVwvS6JE44vZCHgD4L24KjJ0hStIVlH_KqNBXZvh162-9RPgZlJdMOH2ECWeYzDmU4eZikjXo7C8h4A2X7833cOkJeCDrE/s400/_1060760.JPG" width="400" /></a></div>
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Vane was over the moon to see them and explained how
important the collection was but he was also not in a position to buy them but
offered to swap me two of them for two original Leunigs an offer that I could
not resist. At the time I had a shop in Collins street that specialised in Art
Deco, Australiana and ephemera. Barry Humphries was a good customer. He
collected Australiana and I went up to the Windsor where he was living at the
time and left a note for him to ring as soon as he got back. By Saturday afternoon
I had no word from Barry and I went to see my friend Ann Turner [History professor
Ian Turner’s wife] for some advice as to how not to be arrested for cheque
fraud. <span style="mso-spacerun: yes;"> </span>Ann was a fixer and she rang
Cliff Pugh who said bring them over. Cliff bought the collection and I managed
to keep 2 of them. One was a Will Dyson pastel portrait of Gerald du Maurier
drawn as a magician in a tux pulling a rabbit out of a hat [subsequently stolen
in a burglary] and this wonderful David Low cartoon of Billy Hughes and fat “friend”.
I liked the joke but always thought there was more to the story than the “Why
worry about it” punchline.</div>
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After Cliff bought the lot and told me he would donate the
collection to the various galleries that had a geographical or political
connection to the drawings. He was that sort of man a mensch.</div>
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<span style="mso-spacerun: yes;"> </span>Good result. Vane had
two for his collection I had two wonderful Leunigs and a Dyson, this David Low
and the rest of the collection would go to where it was meant to be.</div>
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Fast forward [fuck its 43 years!] to a couple of months ago
when Diane noticed that historian Ross McMullin was giving a talk at the
Kyneton Library about Pompey Elliot He was a great presenter and after the talk
I bought his book about Chris Watson Australia’s third Prime minister “So
Monstrous a Travesty” the story of the first national Labour government in the
world. Great book</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTPJynQoOpoQs3E1O2zQWGB83qamBh-KhxIyuqPnVJsrZRf0SrK9kWy19w2ALXzmL55uhQQ7iFIHCaxasMA0FSMwV2YC8qzelKY0D_XkRFszcETb2bh1rzr_Rhyj24t1q4FCJnL6QMBFA/s1600/_1060758.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="997" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTPJynQoOpoQs3E1O2zQWGB83qamBh-KhxIyuqPnVJsrZRf0SrK9kWy19w2ALXzmL55uhQQ7iFIHCaxasMA0FSMwV2YC8qzelKY0D_XkRFszcETb2bh1rzr_Rhyj24t1q4FCJnL6QMBFA/s400/_1060758.JPG" width="248" /></a></div>
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.</div>
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In the second chapter we hear about his choosing a ministry
that would include two future prime ministers Andrew Fisher and Billy Hughes. <span style="mso-spacerun: yes;"> </span>His choice of Senate leader was Gregor Mc
Gregor who had lost most of his sight in a logging accident while working as a labourer
[good working-class politician] but had a remarkable memory “he buttressed his vigorous
speeches with streams of memorised statistics’. This ex wrestler [also good
training for politics] “had become plump to the point of stoutness with a
massive square shaped head” </div>
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That’s when the penny dropped Billy Hughes’ <span style="mso-spacerun: yes;"> </span>dining companion was revealed to be no other
than <b style="mso-bidi-font-weight: normal;">blind</b> Gregor McGregor. </div>
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So finally, another level of politically incorrect comment
was revealed in the “joke” that now still has a resonance and truth in the
madness that the “modernist” food world has become. </div>
<div class="MsoNormal">
So why worry about it?</div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-77340908632150818072017-12-19T13:07:00.003+11:002021-05-29T07:45:17.219+10:00Gyuri could you go down to Acland street and get some……<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtrSKi3q2n-Ou4L0v2xihS5JSpOEMLgpEwFQhSFxDC0MTCfAY6UueJ0inVQMhL6gGG0feMxc5uuWXKa7Af6FT3ZZBlIfwgyhvzIaoN6fvgIPHedEczEg24qZoBSVLL7aS76b7qKb6Sn48/s1600/img516.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="1600" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtrSKi3q2n-Ou4L0v2xihS5JSpOEMLgpEwFQhSFxDC0MTCfAY6UueJ0inVQMhL6gGG0feMxc5uuWXKa7Af6FT3ZZBlIfwgyhvzIaoN6fvgIPHedEczEg24qZoBSVLL7aS76b7qKb6Sn48/s400/img516.jpg" width="400" /></a></div>
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<br />
We were in Erdotelek about 75 km from Budapest when the
fireworks went off in October 56 but Dad was stuck in the city and he spent the
revolution quietly in the cellar of the Astoria hotel and the Emke Kavekhaz in Budapest. When
the dust settled things moved very quickly. After a couple of aborted attempts
at being smuggled across the border by those who would now be termed people
smugglers, we managed to get out of Hungary with the help of my fathers’
sisters’ family who were already living in St. Kilda. We slipped through the
curtain in April 57. </div>
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As soon as we arrived in Melbourne Acland Street became the
Main Street of our new lives. After about a year in a shared house with another
Hungarian couple in East Kilda we moved into the Sur la Mer block of flats
opposite Luna Park; about as close as you could get to Acland street and far
far away from the chaos and pain of Budapest.</div>
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St. Kilda and Acland street as its nucleus, was a magic
playground to a young new arrival. We had left everything behind but my parents
still carried a lot of heavy baggage. I joined a loose gang of immigrant
urchins, most of who were also enrolled at Brighton Road primary school. We
learned to keep shtum and out of the way just watching the grownup rituals
quietly from the wings occasionally playing the go between.<span style="mso-spacerun: yes;"> </span>Our playgrounds were now not the dark streets
of Budapest, Warsaw, and Berlin but Acland Street surrounded by the Palais, The
Victory, St. Moritz and South Pacific all of which we could enter by secret
lore known only to the street. The cosmopolitan atmosphere of this village of
emigres made the huge culture shock easier for my parents. St. Kilda provided
true asylum. </div>
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My crowd were the little ones, we were all under 10 and as
youngsters we collected Tarax and other drink bottles around the beach that
carried small deposits you could redeem at Acland street Milk Bars. This
foraging kept us in pocket money and the beaches clean. We also collected
bottle tops that had hidden letters under the cork revealing clues to prizes.
We would sit at the peanut farm swapping bottle tops and playing alleys.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
All our family food came from the many butchers, bakers,
fruiterers and delicatessen on the street. Only Peter Gruners’ butcher shop [GONE] and
the Monarch remain from those days. Our Hungarian tribal clubhouse was the
Flamingo a slightly risqué but friendly café restaurant. It had a different
personality depending on the time of day. Early in the morning it was shift
workers having breakfast, at weekend lunches it was tourists and families. Early
in the evening many local families would gather to eat together before starting
their second jobs. Later in the evening the young singles strutted in their
fifties finery. Although we were allowed out at night I was told never to go
there after 10pm The Flamingo had a killer jukebox dead centre as you walked in,
a café bar with a big eszpreszo machine on the right, a small dining room on
the left and a pool hall with two full sized billiard tables out the back. It
was a Hungarian but not specifically Jewish cafe and there was no anti-Semitism.
The Australian locals who had immediately embraced the Porkolt and schnitzel
were our sounding boards for the new language. On Sunday mornings it became the
stamp club with a large core membership of middle aged men sitting around
communal tables drinking coffee and peering into magnifying glasses trading
stamps and talking politics. <span style="mso-spacerun: yes;"> </span>I learned
to love rock and roll from that jukebox and the facts of life in the back room
under the billiard tables. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe0SwwjgOqr28s15jUATGu8T9OZsHn9l9UgM2oPYfdDUgjrJQ-rMe6T_jgErORvLccbcO1zTAtvY_AezMmUY6kkYROqB2QWlFdjQTkBWkwStH-0x8BT02_TBx1VDJhNPhSuhVvaNSHapU/s1600/_1060750.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe0SwwjgOqr28s15jUATGu8T9OZsHn9l9UgM2oPYfdDUgjrJQ-rMe6T_jgErORvLccbcO1zTAtvY_AezMmUY6kkYROqB2QWlFdjQTkBWkwStH-0x8BT02_TBx1VDJhNPhSuhVvaNSHapU/s640/_1060750.JPG" width="640" /></a></div>
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My mother opened a strudel shop in the old market on the
corner of Acland street and Barkly street roughly where the supermarket now
stands. She had two small Early Kooka stove/ovens and a large wooden table
where she stretched her ethereal pastry much to the delight of the locals. Poppy
seeds could be bought freshly ground just as they still are today at Gruners’
but Morello cherries only came in tins, it would take another 50 years for them
to be available fresh. She made both savoury strudel like cabbage and caraway,
also sweet like cottage cheese and sultanas but my favourite was the one with
poppy seeds and cherries. The secret of her paper thin pastry lay in her tender
touch learned from her mother and a little lemon juice in the pastry. She also
made a fine walnut chocolate cake that I have continued to make for over forty
years in her memory. <br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGP2omkif1Zr38gchmuehBSozUKO8c9sbxqKJbSuAnOWLXHB-H2aNCa_L0rLUJU9MrYsOJHhnpx9MkObpG_G_Sw0zJ9Mcjx7oiWpvu2Vyra4JFNBzc5rWrxGp6ExkTOBjsa3pooq85Ah8/s1600/71.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1005" data-original-width="572" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGP2omkif1Zr38gchmuehBSozUKO8c9sbxqKJbSuAnOWLXHB-H2aNCa_L0rLUJU9MrYsOJHhnpx9MkObpG_G_Sw0zJ9Mcjx7oiWpvu2Vyra4JFNBzc5rWrxGp6ExkTOBjsa3pooq85Ah8/s320/71.JPG" width="182" /></a> The market had a large central fruit stall with small
shops set around the edges. Her shop was only one of two that was enclosed and
it had windows facing into the centre at the back of the market. It was the
least visible site. The shop next door was vacant. The rents were cheap and the
whole street in fact served well as a start-up hub for the New Australians. There
was a side entrance to Coles from the market where most of our school
stationary and accessories came from. Cosmos Bookshop was where Readings now
stands and it had a small section of Hungarian books that my mother and sister
constantly checked for new arrivals. They also provided a book exchange for the
expats. <span style="mso-spacerun: yes;"> </span>I got my hair cut by one of two
traditional Australian barbers who made us feel grown up by shaving our
sideboards and necks with a cut-throat razor way before we grew any fuzz.
Suddenly the Flamingo disappeared and the Hungarians moved to the Excellent and
later there was a split between this, the Miami and The Balaton. The juke box
and billiard tables were gone but there was a room for traditional Hungarian
card players upstairs. The card game was a Hungarian form of bridge played by
three people called Ulti where, put very simply, to win the game you had to
take the last trick with the lowest trump. This concept epitomised the Magyar
psyche. I loved the look of the cards The suits were the seasons and the court
cards were all characters like William Tell and other mythical heroes and
heroines.<span style="mso-spacerun: yes;"> </span>I would kibitz by my fathers’
side bringing coffee, snacks and changing ashtrays while they talked of the old
and the new. Often after the game a group would come home to enjoy a late
Sunday lunch cooked by my mother. There was an air of optimism. <span style="mso-spacerun: yes;"> </span></div>
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<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>My father soon opened a small fruit shop in
the street with a friend who had also left Hungary after the Russian “liberation”.
They had an FJ ute and I was occasionally allowed to accompany him very early
in the morning to the Victoria market which was then also the wholesale market
to get supplies. I have never lost the love of that place. </div>
<div class="MsoNormal">
Being asked to get something from Acland street was an
adventure. Bread meant a Challah on Fridays On other days a light rye or a
Vienna loaf. The Vienna was the signature St. Kilda loaf a large slow risen low
yeast loaf with a shiny thin crisp crust that I now recognise as being the
result of steam injection at the end of the bake. Delicatessens like the
Budapest, the Edelweiss and the Benedykt provided all the continental culinary essentials.
From paprika, yeast, salami, dill pickles to smelly Esrom and Tilsit cheeses. The
culinary groundwork had already been made by those lucky enough to have got out
of Europe early. Mum made most things from scratch but the convenience of dried
noodles, pickled herring, sauerkraut and such enabled her to cook as she had in
Budapest while still working full time. You could even get live chickens and
unlaid egg yolks or oocytes at the kosher poultry shop. The whole family cooked.
My father loved the smallgoods and could make wonderful traditional stews. My
sister also did a lot of the shopping and cooking as often the oldies worked
late. Later when I left home to a shared house in Park Street ironically only
100meters again from Acland street. I realised that I could cook without having
had any formal instructions.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>The first non-European
restaurant I went to was the Tientsin. The iconic circular entrance announced a
dark wood panelled 1960’s film set interior, imaginings of an elegant exotic
room where flavours so foreign to my limited experience often left me
bewildered. As we got older we lived in many other flats around the Belle and except
for a short stint in South Caulfield we never strayed further than Dickens Street.
This short exile introduced me to a new group of friends from much wider
backgrounds. But soon we were back in the hood to our OYO apartment in Mitford
Street just a hundred metres from the Belle. My parents continued to live there
for the rest of their lives.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>We soon graduated to the Black Rose Cafe where
over dishes like Rinsroulenden [beef olives] we could listen to the finest
modern Jazz that the owners would play all night. They collected rare records
that we would covet and try to find later. Here as junior beatniks in skivvies
and tight pants we discussed the books our older siblings were reading, the
Vietnam war, or the latest Dylan album while pretending to be grownups drinking
short back coffees amongst the very bohemian older clientele. The Black Rose
would also be where we would adjourn to after a night at the Melbourne Film
Festival to discuss films like the Seventh Seal or the latest Goddard. Late
night munchies came from the hamburger joint on the corner of Carlisle Street
and Acland street where Greasy Joes would reign for many years. They had a
carefully polished mirror grill manned by a master. After each order he would
meticulously bring back the shine no matter how busy they were. By the time the
Fairy Stork opened our palates had learned to love exotic Asian flavours. </div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>I would often wander
in to the makeshift film studio at the back of the RSL where commercials and
later television shows were filmed and wondered at the magical modernity of
show biz. The movie <i style="mso-bidi-font-style: normal;">On The Beach</i> had
just been filmed in Melbourne and there was a mock nuclear submarine sideshow built
on to the side of South Pacific the sea baths. One night, hearts pumping with
adrenalin we painted a ban the bomb sign on its side. Over Felafel and thick coffee,
we listened to the news of the Six Day War with the Egyptian owners of the café on the corner of Chapel Street and Dandenong Road.<span style="mso-spacerun: yes;"> </span>After that day felafels started to get
complicated.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
I was heartened by the new wave revival of St. Kilda in the
eighties. When my good friend Donlevy Fitzpatrick opened the Dogs Bar another
exiting chapter had begun for the street. As the oldies still lived there<span style="mso-spacerun: yes;"> </span>I never lost contact with Acland street even
when I moved to the country over 30 years ago.<span style="mso-spacerun: yes;">
</span>Maximus, The Prince, Daniel Gerrard,<span style="mso-spacerun: yes;">
</span>Ciccolina, Spuntino, Greasy Joes Chinta Ria merely added echoes to the
legacy of the early Oyster Cafes and Grills of the past.</div>
<div class="MsoNormal">
My family table and the diversity of Acland Street provided
the inspiration to me for a life in restaurants and I believe all the people
who brought their traditions and took the risk of presenting them on this
extraordinary little street throughout all decades played a very important role
in the development of a cosmopolitan culinary culture in Melbourne.<br />
<br />
<br />
<h4>
Excerpt from Judith Buckrich's new book <b> Acland Street the Grand Lady of St Kilda available all good bookshops and of course</b><a href="https://www.readings.com.au/products/24584565/acland-street-the-grand-lady-of-st-kilda"> Readings review here </a></h4>
<h4>
<b> </b> </h4>
</div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com2tag:blogger.com,1999:blog-1195036990155736213.post-80196873912808153902015-11-01T12:05:00.001+11:002020-09-19T17:58:23.043+10:00True Confessions or how Socrates should have had a few Double Espressos<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmyoXERQ4VNMb6KsPrWimGx6oOzo9OhqFAoAOnjou1_LhLgvs9yzmKLW0G9_EhbgnGwb3eflJQrR3i63cR_X6BjBbdXZSr7BN6hdwx2LPcdGYjMLEuF2KE_YNSO_EhcJPp9TlU-veTz3o/s1600/7-P1050848.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmyoXERQ4VNMb6KsPrWimGx6oOzo9OhqFAoAOnjou1_LhLgvs9yzmKLW0G9_EhbgnGwb3eflJQrR3i63cR_X6BjBbdXZSr7BN6hdwx2LPcdGYjMLEuF2KE_YNSO_EhcJPp9TlU-veTz3o/s320/7-P1050848.JPG" width="320" /></a></div>
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This has taken me over a year to fess up but wandering
around the river at Kyneton this morning has pricked my conscience and I have
swallowed my pride... <span style="mso-spacerun: yes;"> </span>forgive me my
brothers for I have partaken... <span style="mso-spacerun: yes;"> </span>but hey
it’s a serious warning.</div>
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It started really well, I had been in town and scored a
great 60’s bookcase at Joel’s and found the right flooring for the new “don’t
call it a studio” studio and also got quite a few urgent jobs done. So when
Diane greeted me with the welcome “do you want a coffee? “<span style="mso-spacerun: yes;"> </span>when I got home, my rampant enthusiasm was
further stoked. Because she had just had one, she presented me with the full
double dose long espresso from the new machine, just roasted beans great fuel.</div>
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Over the preceding months walks along the river revealed
some great plants. Blackberries, feral fruit trees all sorts of wild forrageable
foods?<span style="mso-spacerun: yes;"> </span>Among these we also saw great
flushes of a very attractive umbriferous plant that Diane had called wild
parsnip. After my coffee I noticed that the small self sown ‘wild parsnip” that
I had been watching in the vegie garden had grown considerably and I picked it.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaIgl03G3H_iTxKREyfsI-zFP03yaSSpkIeoh8ffuCjDw67MmcgEj3RTjFQsAASKYhEG1NbyP8j7RMrGk5oFnoAwfNAnKSI194mEVcvVd5AkkQIrsU0m6BLe2DRePMckZBB6rSv97L6Dc/s1600/2-P1050924.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaIgl03G3H_iTxKREyfsI-zFP03yaSSpkIeoh8ffuCjDw67MmcgEj3RTjFQsAASKYhEG1NbyP8j7RMrGk5oFnoAwfNAnKSI194mEVcvVd5AkkQIrsU0m6BLe2DRePMckZBB6rSv97L6Dc/s320/2-P1050924.JPG" width="320" /></a></div>
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It had a long straight root a bit like salsify or indeed parsnip.<span style="mso-spacerun: yes;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheL7gzQjgnnMWqY-jSbtQkr6tn-QjmOUeQrskclUgRI4Y0osCyigqXVOhmA6qvrGo6kAhYh9fiEAl8OTfQa5RqUsYMXgTEesHR8nEEUzIub4q7_UDTe1TvdHXbJzXt54Y-Kd-04tccWIY/s1600/5-P1050840.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheL7gzQjgnnMWqY-jSbtQkr6tn-QjmOUeQrskclUgRI4Y0osCyigqXVOhmA6qvrGo6kAhYh9fiEAl8OTfQa5RqUsYMXgTEesHR8nEEUzIub4q7_UDTe1TvdHXbJzXt54Y-Kd-04tccWIY/s320/5-P1050840.JPG" width="320" /></a></div>
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<span style="mso-spacerun: yes;"> </span>I tasted it and it had a stringy outer layer
but the inner root was delightfully sweet and really moreish delicious. Light bulbs went
off... hey a new ingredient in such abundance that it will surely inflame the
neophilic foodie culture so “on point” for these wild food days.</div>
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Intrigued as to why no one else in say, Northcote, Denmark
or Brooklyn had promoted this discovery I went to the culinary <span style="mso-spacerun: yes;"> </span>books <span style="mso-spacerun: yes;"> </span>in the shed and it all started to go pear shaped
very quickly. Apparently the more common name for this “wild parsnip” is Poison
Hemlock. Now this did not look really good as I had eaten a good couple of
inches of the inside of the core root. I quickly consulted the online oracles
and it was really looking a bit serious.</div>
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I rang the poisons department hot line and a very calm young
man after about 6 key identifying questions suggested that I grab the plant and
get my arse off to the hospital as soon as possible. <span style="mso-spacerun: yes;"> </span>On arrival at the Kyneton hospital at the emergency
department they were already getting the equipment ready to get me hooked up to
various beeping machines in the ambulance that was waiting with doors open. Mr
Poisons Department had already rung the hospital and I was quickly put on a
cardiogram and a drip input was poked into my arm. With thick rubber gloves
they examined the ‘Parsnip’ and placed it in a labelled bag and very quickly I
was on my way to Royal Melbourne Hospital. The ambulance was apparently better
equipped to deal with what might eventuate in the next 60 minutes than the
emergency dept of the hospital.</div>
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Now those of you who know me will attest to my wowser like
boring stance on wild fungi and indiscriminate foraging. </div>
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The Do Not Taste Without Expert Identification sermon that I
always sprout has over the years led to my withdrawing from hosting fungi
forays in the dread of someone later innocently tasting a toxic fungus or worse
serving one in a restaurant.<span style="mso-spacerun: yes;"> </span>So now
flat out and wired up in the ambulance I am fantasizing the twitter
conversations and Facebook comments and such tut tutting after the death
notices appear.... </div>
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But clearly it did not kill me but the ride down to town was
full of apprehension and I might say a little humour.</div>
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The ambos had forgiven me for dragging them off the beat
with my stupidity and were quite engaged as they had never had a case of
hemlock poisoning before. So iPads came out and a constant communication was
being kept with the emergency dept in Melbourne. I had my phone so I was also
getting an education in Hemlock pharmacology. We went through the
identification with some detail. Yes hollow stem, yes <span style="mso-spacerun: yes;"> </span>all the colours habitat etc matched perfectly <span style="mso-spacerun: yes;"> </span>We had the Socrates jokes <span style="mso-spacerun: yes;"> </span>but my toes and other extremities <span style="mso-spacerun: yes;"> </span>had not started to lose feeling and I was apart
from being pissed off that I had been so careless<span style="mso-spacerun: yes;"> </span>feeling OK. . All bodily functions were
beeping normally.<span style="mso-spacerun: yes;"> </span>We all found from
various sources that eating the root was one of <span style="mso-spacerun: yes;"> </span>the most potent parts. That did nothing for my well being but also nothing to the beeps on the monitors.<span style="mso-spacerun: yes;"> </span>As the interest waned in my demise the ambos explained to me in detail of why the graffiti for better conditions was scrawled all
over the van and I got a good education on the shit conditions they had to work
with. Now that at least has thankfully been fixed. But at the time made me feel even more guilty. <span style="mso-spacerun: yes;"> </span>Then on a legit medical website we saw that one
of the suggested antidotes to Hemlock poisoning was caffeine... and I started
to feel a little better.<span style="mso-spacerun: yes;"> </span>But on arrival
at emergency the registrar grabbed my bag of ‘wild parsnips’ whisked me into a
cubicle and hooked me up to more wires. I told him of the big double dose of
caffeine I had ingested and he just looked at me with bemusement Hmm 2 inches
of root you say? Shakes head.<span style="mso-spacerun: yes;"> </span>After a
further hour of observation I was evicted from the cubicle into the hall and
told to let them know if I was feeling wonky. Then after a further 2 hours I
was released just in time to catch the last train back to Kyneton. I had survived eating poison hemlock and yes it did taste OK. Thanks RMH. So when you
see the beautiful flushes of this ubiquitous weed all along the Campaspe, the
Barwon or in your vegie beds <span style="mso-spacerun: yes;"> </span>take care.
It really is everywhere and possibly we should be more alerted to its dangers. Apparently
children using the hollow stalks for pea shooters have been poisoned and quail
and other game birds [that it does not affect] that have eaten the seeds can
also be poisonous. </div>
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So another one for the sermon.<span style="mso-spacerun: yes;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd0yqFXuMm-AGQ_3z9S3mGEF06UoWPbEfh7_7eAGRI5wPOhLNSC8dmLZGA_1SJD2hPmxSfYpNiFnfT1oi9_ULOJjt7KDTbm9IZguW64DA9jiDbZPOLZga8hExbFT6u6eWwTW2fZ-NyElg/s1600/1-P1010398.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd0yqFXuMm-AGQ_3z9S3mGEF06UoWPbEfh7_7eAGRI5wPOhLNSC8dmLZGA_1SJD2hPmxSfYpNiFnfT1oi9_ULOJjt7KDTbm9IZguW64DA9jiDbZPOLZga8hExbFT6u6eWwTW2fZ-NyElg/s320/1-P1010398.JPG" width="180" /></a> </div>
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<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Hope you got the<span style="font-size: large;">
<a href="http://dianesgarrett.blogspot.com.au/2015/10/show-and-sell-kyneton-december-5-and-6.html">invite</a></span> Di’s excited.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com1tag:blogger.com,1999:blog-1195036990155736213.post-16067965189462224082015-09-04T19:29:00.001+10:002015-09-14T21:00:27.943+10:00From Coyote to Grasshopper <span style="font-size: large;">Press this <a href="https://photos.google.com/share/AF1QipOKQn0vj8T_OdSiiIe_G1rE1Il9iNfZgY9s--xURplC8EekzntCBJxNTK3s-uvRJQ?key=dkRyaEp5NnVnclY5dm5mUl9sYmE5MzNYOXpXRTFR">Link</a> to Slideshow</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPk_K9uNVndoMS0Qp6z2_ydCZTTCGc2PfM3v3ubpcBWnrYKcqg8aUEM8Fjv3GJP-Tz4jSeWpDSpDmQE2RIrVCmTGniMhPj-SrALhDotXv_RLWJ4obq4zWFw3i2dQKtx-8d5Ps0MGs0e4Q/s1600/408-P1060947.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPk_K9uNVndoMS0Qp6z2_ydCZTTCGc2PfM3v3ubpcBWnrYKcqg8aUEM8Fjv3GJP-Tz4jSeWpDSpDmQE2RIrVCmTGniMhPj-SrALhDotXv_RLWJ4obq4zWFw3i2dQKtx-8d5Ps0MGs0e4Q/s320/408-P1060947.JPG" width="320" /></a><span style="font-size: large;">New York City 1989</span>. It’s our first time in the big apple. We
had an introduction to Adam Tihany and everyone in his entourage wanted to know
about Australia. One thing led to another, Irena Chalmers introduced us to
frozen vodka and Milton Glasser. George Lang welcomed us in his private library.
I recall his final words to us “remember George, if Joe Schmo wants to eat Snail
Caviar who are we stop him” Restaurant design was at an all time high.. ebony
and mahogany to restore the Gundel in Budapest, Remi brought the taste and
style of Venice to NYC <span style="mso-spacerun: yes;"> </span>Tihany was on a
roll. <span style="mso-spacerun: yes;"> </span>Lunch at the Cafe des Artistes. AliceWaters
at the Union Square farmers market. At happy hour in the bar of the Grill Room
at the Four Seasons <span style="mso-spacerun: yes;"> </span>Philip Johnson was
still holding court in the space he had designed with Mies van der Rhoe in 1958<span style="mso-spacerun: yes;"> </span>while the barman discusses the East Timor
crisis with a couple of wide eyed star struck Aussies. It felt like we were at
the centre of it all, it couldn’t get any better for a colonial cook hungry for
contemporary perspective. Almost famous. <span style="mso-spacerun: yes;"> </span>On our final day Adam [we are on a first name
basis now] throws us another clue “if you are going through L.A. check out Rebecca’s.”<span style="mso-spacerun: yes;"> </span>On our way home we have a couple of days
there and after the morning at the Huntington Gardens in Pasadena we find
ourselves in Santa Monica at Rebecca’s. It’s a modern Mexican restaurant. Our Strailyin
accent gets us past the door bitch. The bar is a sunken pit with fibre glass
crocodiles and mythical sea creatures floating from the ceiling that is all
angles and rods. The booths are over sized Hollywood style sets. The kitchen is
a glass cube with four big wood fired grills. A kitchen full of sweaty Mexican cooks
big flames and piles of exotic gnarled fire wood. There are steel earthquake
proof girders holding up the origami like structure of the roof. The vibe is
the life aquatic. Our waiter is a Don Diego from central casting. Manicured grey
sideboards, a pencil mustache good tailoring. It’s our first introduction to
jicama, tomatillo, corn smut, and mesquite. The guacamole kit is wheeled to the
table by the commis waiter, he looks like an assassin. Everyone is in
character, his knives are sharp bare arms. The tatts are faded old school navy
with dragons and Chinese characters, a 3 day growth and no smile.. the gwok is
made to order with double knife action by our assassin, with green tomato.. Don
Diego plates it up on a granite slab. The cooking was considered- balanced
flavours, accurate fresh, aromatic, lotsa lime, our first taste of masa and
such exquisite corn and chilli flavours... respect for the traditional cooking
of Mexico. On our return we searched out the seeds for tomatillos, jicama, slow
bolting cilantro and we have been growing them ever since. Rebecca. She left
quite a mark..</div>
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<span style="mso-spacerun: yes;"> </span>Finally last month we
get the chance to go to Mexico it’s only for a couple of weeks so we settle on
the city only despite the bad rap that it always seems to get. While we are
planning the trip, as we are going via LA, I decide to see if Rebecca’s is
still there and as it goes, it closed in 1998 and moved to another site. But Dr
Google reveals the designer of the original Rebecca’s building, the interior
the whole works was no other than a young Frank Gehry and the fittings are now
it seems periodically going up for auction at big time rooms as modern antiques.</div>
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United Airlines stalls our arrival in Mexico for 24hrs but
Enrique our Airbnb host has sent Hector and Hugo to pick us up in what looks
like a bulletproof jeep. Celia Cruz is on the tape... we slide in to Coyoacan [
the Coyote] around 10pm and Hugo decides that we need a body guard as we hit
the streets looking for something fresh after the crap on the plane. The square
is almost deserted, the Aztec dancers around the cathedral are packing up and
we are thankfully getting sleepy.</div>
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<span style="mso-spacerun: yes;"> </span>The next day Jorge
from the Traveling Beetle is due at 9am to begin our DF adventure. The Traveling Beetle is a groovy local touring company that specialises in
restored convertible beetles with experienced specialist drivers. Nicolas the
director has a list of our interests and we have booked six trips one every
couple of days. Our driver Jorge is a delightful thirty something soul rebel
architect who loves DF. He lives in the Centro and speaks great English. The
days are spent walking speeding on the subway and cruising the city in the soft
top beetles, we change colours every couple of days, and quieter nights around
our digs. Jorge has very quickly picked up on our quirky interests and cruising
with him we become at one with the city. The traffic moves slowly and gives
Jorge time to explain each neighbourhood as we crawl through them. After three
days in Coyoacan we move to Condesa or Roma Norte within walking distance of
Bosque Chapultepec, the 1,956 acre grasshopper park and find the ideal local
restaurant Lardo. It rocks, shakes and sparkles day and night and we are
surprised to find out that it only opened a week before we first find it. She cranks
like a well oiled classic. Most nights are spent grazing late around the bar,
we become locals for a week. The chefs sneak us snacks and drinks and warn us where
not to eat on the street and tell us of the great local lunch spot Contramar.
Between these two spots, both staggering distance from our “Villa Condesa” and
the street food during the day, we are more than well feasted. On our last day
after the incredible Lagunilla flea market we join Jorge and his delightful
partner for lunch at Contramar and farewell this stupendous city. </div>
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Viva Mexico<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></div>
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-54117281005420995082014-04-13T23:05:00.000+10:002015-10-01T12:22:12.439+10:00Alison Puoliot's Fungi Seminar...<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitEZNT5pMXXXBlVwHZV-BjbPI1cmL0dhDh-dDVU27fKztcQA14N6jeyIpC6IHWM9QFwWFTAB9_AiFkzYJhZDUOSKcnhd83avPtdeCabpxadFU6uvTER-GU81nuWZhMvvhWS86C5LFdJcE/s1600/fungi+foray+macedon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitEZNT5pMXXXBlVwHZV-BjbPI1cmL0dhDh-dDVU27fKztcQA14N6jeyIpC6IHWM9QFwWFTAB9_AiFkzYJhZDUOSKcnhd83avPtdeCabpxadFU6uvTER-GU81nuWZhMvvhWS86C5LFdJcE/s1600/fungi+foray+macedon.jpg" width="320" /></a></div>
<br />
If you have a serious interest in fungi not just the edibles but the full gamut of this extraordinary and highly important environmental Eco system? Do yourself a favour and book yourself into Alison Puoliot's seminar/foray next weekend in trentham<br />
<br />
<h4>
<span style="color: red;">details<span style="color: red;"><a href="http://www.alisonpouliot.com/projects_fungi_ecology.php"> here </a></span></span></h4>
<h4>
<span style="color: red;"><span style="color: red;"> </span></span></h4>
Just got back from today's in Macedon/Woodend totally inspired... <br />
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Has rekindled an old passion...<br />
<br />
Take care without the level of knowledge that Alison can impart its a minefield out there.<br />
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-22676630166109575312014-02-20T20:10:00.000+11:002020-09-19T17:58:58.848+10:00THE HAMSTER OF LARA<!--[if gte mso 9]><xml>
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<h2 class="MsoNormal">
Home Made Smallgoods Competition Lara Food and Wine Festival</h2>
<div class="MsoNormal">
<span style="font-size: small;">The Lara Food and Wine festival is looking for any backyard
or small producers of Salami, Prosciutto, Jamon or indeed any naturally
fermented smallgoods for the inaugural Hamster of Lara smallgoods competition. Naturally
produced smallgoods have been a part of the Australian culinary landscape since
the first fleet. Through the different waves of immigration, New Australians,
[as we were called before the ‘boat thing’ rocked the nation] have continued
family traditions. It began largely in the background below the surface of mainstream
food production when food laws were a lot more sensible. All the big players in
the current smallgoods market think Tibaldi..Don.. Primo, Marchetti, Bertocchi,
Hansa, Barkly to name but a few, started with humble beginnings from immigrants
bringing with them rich traditions that have made Australia the diverse
culinary haven that we now enjoy. It looked like these traditions were in danger of
being lost but the younger generations of these immigrants and their new Skip
mates have rekindled a passion to embrace all good food and especially the fine
flavours that naturally fermented foods can offer. We have been through the
Roquefort saga and can now legally enjoy one of the finest imported raw milk
cheeses and the first raw milk cheeses are being made in Australia now but not
before some hard guerrilla action from the wild food warriors. Tomorrow Sandor
Katz the author of the Art of Fermentation is presenting some lectures in
Melbourne link <a href="https://www.eventbrite.com.au/e/the-art-of-fermentation-with-sandor-katz-melbourne-tickets-7513108911">here</a>
Fermentation is again in the spotlight Sandor is largely about vegetables and
milk but the really difficult one for many to come to terms with is naturally
fermented meats. </span></div>
<div class="MsoNormal">
<span style="font-size: small;">The handful[ but influential] readers of this blog all know
the score but this is a serious call for entries into the competition. The lead
time has been short the larders are getting thin but there are hundreds of
busy little Hamsters out there turning, sniffing, tasting and proudly plating up what to
those who have been initiated are flavours hard to live without... the problem is
many don’t read twitter so Tony Bourdain’s, Matt Preston”s, Sticki, Skinny John,
Mr. Ed and many others’ [thank you
troops] call to arms may not get into those cellars as quickly as we might
think. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi47FsQFrK3goxr8STwf0Sx-HV4QyixzmgXKB0xx-uooPqNylJnCxJZ5H7gw87s7dr_8e_UORjJSB74YDV_ISywQwO6onYsiSdkyixc02_G_3NPsJklU3uvv0jkVnSL5KipDxZB68JOwSk/s1600/Image08.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi47FsQFrK3goxr8STwf0Sx-HV4QyixzmgXKB0xx-uooPqNylJnCxJZ5H7gw87s7dr_8e_UORjJSB74YDV_ISywQwO6onYsiSdkyixc02_G_3NPsJklU3uvv0jkVnSL5KipDxZB68JOwSk/s1600/Image08.jpg" height="320" width="240" /></a></span></div>
<span style="font-size: small;"><br /></span>
<br />
<div class="MsoNormal">
<span style="font-size: small;">So please pass this on to any shops [small producers
welcome] or indeed anyone who you may know that cures their own. Small factory
production is fine. Taste will prevail. </span></div>
<div class="MsoNormal">
<span style="font-size: small;">The Lara Food and Wine Festival is a delightful grassroots
affair with all volunteer support, even from the big wigs. I confess two ulterior motives for joining
Frank Camorra, Richard Thomas, Rosa Mitchell, Gail Thomas, Ed Charles, Bob Hart,
Max? on the tasting panel.</span></div>
<div class="MsoNormal">
<span style="font-size: small;">Firstly the pork and Secondly the main prize [$1000 all together] is dedicated to
Angel Cardoso who,[mad bastard as he was] gave quite a bit to the development of good
tucker in this country. </span></div>
<div class="MsoNormal">
<span style="font-size: small;">Lara Food and Wine Link <a href="http://www.larafoodandwinefestival.com.au/news/48-alice-zaslavsky-from-masterchef-2">HERE</a></span></div>
<div class="MsoNormal">
<span style="font-size: small;">Entry Form <a href="http://www.larafoodandwinefestival.com.au/images/LFW3713_HamsterOfLaraRego_A4_v1.pdf">Here</a></span></div>
<div class="MsoNormal">
<span style="font-size: small;">Macedon Ranges entries can be left here at Kyneton or I can
pick up if you are too busy just email gbironatbigponddotnetdotau for drop off
time before 13 March.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUd9GflVxpqb647Vd3Z86pFPCK1zmQmpbyHkCyimdbDkvkiR_NxGk-NjV0MUunIuxCsnJxNXl29XzGaOEPd8QNT-_tHQK5yv3nFwMLTBnnV-OKGJ2Kw-Iu3iZrqhoNbpelw-w2E6NFVUE/s1600/dscf0009.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUd9GflVxpqb647Vd3Z86pFPCK1zmQmpbyHkCyimdbDkvkiR_NxGk-NjV0MUunIuxCsnJxNXl29XzGaOEPd8QNT-_tHQK5yv3nFwMLTBnnV-OKGJ2Kw-Iu3iZrqhoNbpelw-w2E6NFVUE/s1600/dscf0009.JPG" height="240" width="320" /></a></div>
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<br /></div>
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George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-58053984045624013182013-12-13T14:15:00.000+11:002013-12-13T14:15:02.041+11:00New Growth<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwkz4V5YLxckXbv0HM3zi9EHAS95RZvm2gYCloZbfti4RVkX7Tn68nvi8gpMOfIjLOFJ6GJ9eS0MpzsgKYR9Ojv_fIE9JiFdmuh1k0jIiw0TmijDC2OmKjQDSKfWBzrj890ObfHTjbuXI/s1600/Mail_20130916.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwkz4V5YLxckXbv0HM3zi9EHAS95RZvm2gYCloZbfti4RVkX7Tn68nvi8gpMOfIjLOFJ6GJ9eS0MpzsgKYR9Ojv_fIE9JiFdmuh1k0jIiw0TmijDC2OmKjQDSKfWBzrj890ObfHTjbuXI/s640/Mail_20130916.jpg" width="640" /></a></div>
<br />
The gardens in Kyneton are magnificent exceptional trees, explosions of colour, vigorous growth We were determined to start a small domestic vegetable garden as soon as possible and after 3 months we are back to normal sourcing all our salads and herbs from just outside the kitchen.. Tomatoes will be ready for Christmas and new year the fruit trees have taken well and the new collection of flavorful species is growing.<br />
The racecourse is close by and there is a pick- up- your own small depot for horse manure mixed with sawdust . and unlimited piles of deciduous leaves piled up in the gutters This is gold for making compost.<br />
We started the tomatoes in tree guards with a peg to keep the earlier frosts at bay. You can warm the beds naturally by adding a good deep layer of manure with decayed leaves at the bottom of the garden beds before adding the soil. A bit like an ecological electric blanket... makes the seeds sprout quickly and the growth has been magnificent. We started with an equal mix of compost, mushroom medium, and soil enriched with some blood and bone and potash. I had to take some of my own advice [always dangerous]<br />
click <a href="http://www.scribd.com/doc/26232714/Allegro-non-troppo"><span style="color: red;">HERE</span></a> <br />
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-66642810212752683612013-12-02T10:55:00.000+11:002015-10-01T12:22:49.526+10:00Martin Sharp<div class="separator" style="clear: both; text-align: center;">
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A vision remains for.... <a href="https://www.google.com.au/search?q=martin+sharp&source=lnms&tbm=isch&sa=X&ei=WdGbUvSwJ677iQe1iYDoCA&ved=0CAcQ_AUoAQ&biw=1280&bih=671"><img alt="https://www.google.com.au/search?q=martin+sharp&source=lnms&tbm=isch&sa=X&ei=WdGbUvSwJ677iQe1iYDoCA&ved=0CAcQ_AUoAQ&biw=1280&bih=671" class="irc_mut" src="http://jimpoe.files.wordpress.com/2012/07/img_2185.jpg?w=480&h=360" height="150" id="irc_mi" style="margin-top: 33px;" width="200" /></a>George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-83065981361515736022013-11-23T16:27:00.000+11:002015-10-01T12:25:31.126+10:00Fare Dinkum<span style="font-size: small;">This blog has changed its name to</span><br />
<br />
<span style="font-size: small;"> </span><span style="font-size: large;">Fare Dinkum--</span><br />
<span style="font-size: large;"><i>Temper Gastronomic- Bias Australiana</i></span><i> </i><br />
<br />
Our new mascot is the endangered Barking Owl that we met on Saturday at the Kyneton Show. <span style="font-size: small;"></span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">I am slowly drawing a line under the Sunnybrae blog..the metamorphosis has begun .... The online story of our adventures at Birregura will remain here but writing from a new perspective has begun. A perspective based on more than 30 years of cooking and growing the most appropriate food for you to enjoy . We are now based in Kyneton in a new house with a small small garden Its almost a blank canvas with a completely different climate. Kyneton is a rare </span>town with great beauty around every corner. My first impressions are that someone with an inspired vision chose the most exquisite street trees. There is a kind of Zen pattern to the way the choice of species is revealed as you wander through the streets.... We are lucky to be close to the Campaspe and the sheer beauty of the river path as it winds its way to the Botanical Gardens often starts our day with the dogs or on the bike..life on civie street...the future holds excitement and freedom the best ingredients for a new chapter..... George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com1tag:blogger.com,1999:blog-1195036990155736213.post-4727218315665403212013-09-02T12:30:00.002+10:002022-07-07T16:05:39.639+10:00Thanks<table style="width: 194px;"><tbody>
<tr><td align="center" style="background: url(https://picasaweb.google.com/s/c/transparent_album_background.gif) no-repeat left; height: 194px;"></td></tr>
<tr><td style="font-family: arial,sans-serif; font-size: 11px; text-align: center;"><a href="https://picasaweb.google.com/109181844846737804710/NeverSayGoodbye02?authuser=0&authkey=Gv1sRgCJXT5uedxJiHpAE&feat=embedwebsite" style="color: #4d4d4d; font-weight: bold; text-decoration: none;">Never say goodbye</a></td></tr>
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A very big heartfelt thanks from Sunnybrae and all who sailed in her.<br />
If you click the photo and click slideshow you will find a little glimpse of the Sunnybrae story <br />
<br />
<br />
To our staff we are eternally grateful for the support and friendships made over the years... to all the visitors again its been a great pleasure to serve you..<br />
<br />
I will keep the blog live for now but I will return to it in another form when we unpack all the boxes..<br />
<br />
Until then you can search this site with the gadget on the right for any culinary questions you may need to explore.<br />
Diane and I send our best wishes to Dan and Julianne and we are sure they will have just as much fun and meaningful times at Sunnybrae [oops Brae] as we have had there. The baton change has been smooth.<br />
After more than 33 years at Sunnybrae we are now ensconced in a delightful new house<br />
and soon to be new garden in Kyneton. Its a small eco- house designed by Vanne Tromf a less well known but talented Mid Century Modernist architect who lived in Kyneton in the seventies and was a lecturer at RMIT Wanda, Tammy, Cilla an Percy have given the paws up for the new house.<br />
And for those who have asked?? <br />
No we are not going to Ikea and getting a rocking chairs... the next chapter begins <br />
<br />
Till then <br />
<br />
George Biron and Diane Garrett<br />
<br />
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-30414163945112484962013-08-23T21:44:00.002+10:002013-08-23T21:44:57.284+10:00Setting up the Sale 586 Lots<div class="separator" style="clear: both; text-align: center;">
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-14149498799385302942013-07-23T18:32:00.003+10:002013-08-20T19:16:43.705+10:00Clearing Sale BBQ and a Major Downsize Sunday August 25 <div class="separator" style="clear: both; text-align: center;">
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We are trying to be as free of reflective nostalgia as one can be after living somewhere for over 30 years and then moving to a small modernist house.<br />
We are both incorrigible collectors and we are shedding 80% of our accumulated paraphernalia deciding which books, pictures, furniture and other bits and pieces to keep or leave for the clearing sale A liberating process to de-clutter in one go. Full kitchen kit including most of the copper is going.</div>
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<span style="mso-spacerun: yes;"> </span>We sorted the cookbooks the other day and I have released about 400 volumes. A lot of old friends will be finding new shelves. I am not sure how to lot them up for the sale? <span style="mso-spacerun: yes;"> </span>Whether in strict subject categories or bunches of interesting contrasts? If we go with the <span style="mso-spacerun: yes;"> </span>subject matter then, say, 10 <span style="mso-spacerun: yes;"> </span>books on fungi will possibly have only a limited appeal and the specialistcollector/ buyer may already have a couple. I think the books are to be lotted up in diverse half shelves punctuated by an object like manual Husquavarna ice cream machine in mint condition with the original recipe book containing savoury ices from the sixties to break up the lots. We had to use it once when the power went out. Desperate stuff for a restaurant but quite clever for a home...perhaps it should go to Kyneton instead of the Carpagiani Pronto 8 which is in my mind the most efficient<span style="mso-spacerun: yes;"> </span>ice cream machine ever made. Pacojet does not count it’s not Gelati. I went to the Carpigiani factory in Bologna last year and had one of the most enjoyable staff lunches in the canteen with a group of about 30 students at the Gelato University where in the class that I attended they were making tiny bite sized gelato in the shape of a soccer ball with the logo of all the international football logos of the students in the class. There were four Australians all Carlton supporters there along with Africans, Sri Lankans, French, Argentinians and quite a few Italians that also made their local team colours. A bit like a 3D gelati printer. <span style="mso-spacerun: yes;"></span>They were all made with pure fruit extracts that were grown and made in Italy.<span style="mso-spacerun: yes;"> </span>Lunch in staff cafeteria was mussels with garlic chilli and parsley-- a rabbit stew with polenta<span style="mso-spacerun: yes;"> </span>and a wedge of Parmigiano and <span style="mso-spacerun: yes;"> </span>Apple. <span style="mso-spacerun: yes;"> </span>Bread <span style="mso-spacerun: yes;"> </span>beer or wine in the last fridge and a big coffee station. Really flavourful.</div>
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<span style="mso-spacerun: yes;"> </span>It’s a sixties modernist factory on one level with open and <span style="mso-spacerun: yes;"> </span>divided spaces where each machine is assembled and final metal finishing is done one machine at a time. All components are made in Italy. Steve Martin is moonlighting as there as a Professore at the Gelato Univerita but no sign of his banjo.<span id="goog_1459029675"></span><br />
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They were setting up the Gelato Museum with all the antique machines about to go into the new building. </div>
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The big question is?? How to much of anything to keep? The next kitchen will be a small outdoor space and a small indoor space which is complete. The archival material is going to the State Library. <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></div>
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<span style="font-size: small;">It will be a social sale About 200 lots some light refreshments, wine.</span></div>
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<span style="font-size: small;">Barbeque and bar Sunday August 25 Viewing from 9am Sale begins 11am <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-size: small;">Mark<span style="mso-spacerun: yes;"> </span>Stone from Woodlands Auctions is doing the sale.<span style="mso-spacerun: yes;"> Full catalog on the day. </span></span><br />
<span style="font-size: small;"><span style="mso-spacerun: yes;">Visa, Mastercard, Amex, Eftpos, Cash and Cheques with I.D </span></span></div>
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</style> <![endif]--><br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com2tag:blogger.com,1999:blog-1195036990155736213.post-25773828712467663432013-06-14T08:42:00.000+10:002013-06-14T08:42:43.251+10:00Last Class at Sunnybrae<div class="separator" style="clear: both; text-align: center;">
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With more than 10,000 enthusiastic visitors, over 1000 topics covered, sixteen full folders of notes and 500 meg of recipes Sunnybrae Cooking School will present its last class on Monday June 17<br />
The last 2 spots available due to a late cancellation.<br />
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Thanks to all that made the journey..... whats next....? <br />
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-32349339317221010562013-06-03T23:23:00.001+10:002013-06-03T23:45:22.941+10:00Szervusz<div class="separator" style="clear: both; text-align: center;">
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The ink is dry on the contract.</div>
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So much to do So little time, looking [sugestions welcome] for a modest stylish house with enough room for the two, three and four leggeds... with space for a garden....access all areas.</div>
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exciting changes... </div>
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<a href="http://en.wiktionary.org/wiki/szervusz">Szervusz</a></div>
<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com4tag:blogger.com,1999:blog-1195036990155736213.post-8645250556209732472013-05-10T18:51:00.001+10:002015-10-01T12:25:59.284+10:00Really Blewitts and Holidays<!--[if gte mso 9]><xml>
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<div align="left" class="MsoNormal" style="text-align: left;">
I haven’t been out
looking for fungi yet this year but after the last bit of rain [the Otways got a good
sprinkling a week or so ago] I thought it could be right and <span style="mso-spacerun: yes;"> </span>I slipped out after prep yesterday and found
these wonderful Wood Blewitts [Lepista Nuda] up on the ridge at Bambra lots of
pines [lactariuus deliciosa] also with a sprinkling of parasols and slippery
jacks [suillus luteus] . But its been a very long time since I have seen a good
bloom of Blewitts. Just as with all fungi its very wise to be extremely cautions
before eating any thing new fungi or whatever... </div>
<div align="left" class="MsoNormal" style="text-align: left;">
There is another
beautiful fungus called Cortinarius Acheri <span style="mso-spacerun: yes;"> </span>that is quite a bit like it.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="background-color: blue;"><span style="background-color: white;"><a href="http://www.google.com.au/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&docid=PPABTfpGG8HdOM&tbnid=rzbx4C6qKAdZeM:&ved=0CAUQjRw&url=http%3A%2F%2Faustralianfungi.blogspot.com%2F2011%2F06%2F56-cortinarius-archeri.html&ei=jLOMUbGgCNCekgXd2YCwBg&bvm=bv.46340616,d.aGc&psig=AFQjCNFfhcYHy523g9OlzMw4M7g0EDMrew&ust=1368261866542370">Link Here</a></span></span> </div>
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You can see the colour is
comparable as is the main shapes of the head and gills. But the stalk is
different it does not have a veil or remnants of the Cortina that defines the
Cortinarious group.</div>
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The spores are different
and there is about 23 steps in the formal identification of which 3 important
ones require a microscope. </div>
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They were delicious,
deeply flavoured like a very good horse mushroom meaty and earthy.</div>
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<br /></div>
<div align="left" class="MsoNormal" style="text-align: left;">
The table this morning
was laden with gleaned and foraged goodies from here and our neighbours.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
The change of season is
strong.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrL0R3fCwOtKN7Xk_kP3eat4lqEweq7sKPTOUl96uekY_23kEcDiEz3Mn4KI0LCtfIdNm7vOJXEeTa8ory2SwRagHd3bejKAcBq5z1IbhMAQ_6cbhF1Sskhz3U2jvBRFiU3sYi6PAuIRQ/s1600/produce+blewitts.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrL0R3fCwOtKN7Xk_kP3eat4lqEweq7sKPTOUl96uekY_23kEcDiEz3Mn4KI0LCtfIdNm7vOJXEeTa8ory2SwRagHd3bejKAcBq5z1IbhMAQ_6cbhF1Sskhz3U2jvBRFiU3sYi6PAuIRQ/s1600/produce+blewitts.JPG" /></a></div>
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We are starting the annual break next week Sunnybrae reopens on June 8<br />
Booking Line is open while on our break 52362276 <br />
Olive Picking weekend May 25 and 26 see below.</div>
<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-90455019268856844962013-05-07T18:03:00.003+10:002013-05-07T18:04:44.496+10:00Olive Pickers Please May 25 and 26<h3 class="post-title entry-title" itemprop="name">
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<img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwz3Nxaovu6Pvp6l6OJVApYLfJoXdnn7Hsn0frTDeLHGyCb-RdBUDN1EzR_p_2ak5CtYBGl2ab35qo5HDuoOXBxc8M9nh5FRWyzscLhwaHTxP0F8BOsMXt9X8rLXvAgVxUFCz4q4KT0yU/s320/olive+picking.jpg" width="320" /></div>
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If
you would like to help us pick the olive harvest this year we would
greatly appreciate a few helping hands. This may be the last harvest for us so a bit of catching up with old mates is on the cards.</div>
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The wood oven, kitchen, bar and
coffee machine will all be fully loaded and an abundance of sustenance
will be provided for all those who would like to spend a day together
picking the largest harvest we have seen had so far. The trees are laden
and we guestimate the optimum ripeness to be on the weekend of May 25
and 26 the restaurant will be closed as we will be on our annual break so we can let our hair down a bit.</div>
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We
welcome anyone especially any of our regular or should I say irregular visitors to spend a
day helping us to bring in the harvest. No BYO and all consumables
provided. If you can come please let us know that you are coming by ringing
zero three 52362276 for catering numbers. Bring a hat, possibly wet
weather gear, some good stories and a healthy appetite. </div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-15744049388950445542013-04-12T18:54:00.000+10:002017-02-27T10:33:35.936+11:00DEADLY NIGHTSHADES Original Article From Melbourne Masterclass notes 1998 <!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2aUadhE7YFwWvxadmilweByWITeVCkvKQweIPk580lG5Ohl7R88sogR57paWn_vB63T3_msi-x0gSx7m1h-wFB-ZQigp3JOItIRZNwLYopacJocrqRduS6-ebZcr1NbLVHpww4kECDB4/s1600/Tomatillo+collage.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2aUadhE7YFwWvxadmilweByWITeVCkvKQweIPk580lG5Ohl7R88sogR57paWn_vB63T3_msi-x0gSx7m1h-wFB-ZQigp3JOItIRZNwLYopacJocrqRduS6-ebZcr1NbLVHpww4kECDB4/s400/Tomatillo+collage.jpg" width="400" /></a></div>
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<br />
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">A very brief history of</span><br />
<span style="font-size: large; mso-bidi-font-size: 12.0pt;"> EARTH
APPLES, </span><br />
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">LOVE APPLES, KANGAROO</span><br />
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;"> APPLES,</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;"> </span></span><br />
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">MAD APPLES </span><br />
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">And WOLF
PEACHES </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: center;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">What keeps a cook cooking?</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">For me, it has always been a
fascination with the produce.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">No other group
of plants has changed the way cooking has evolved as significantly as
these.</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">From suspicion to seduction, from
mad apple to love apple, the story of the development and spread of these
wonderful food plants is a trip to the red zone, but beware one false move
and it’s the shades of night forever.Whenever the question of
fusion cooking has been discussed I have usually sided with the reactionary
‘old fogey’ tribe that maintains that it is risky to mix too many ingredients
from different cultures. This is probably because I grew up with only one type
of cooking—Hungarian, with its heart expressed by that vibrant spice Paprika.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">Of course it was a bit of a shock as I started
to read about food and its origins to realise that Paprika had arrived in Hungary from Turkey via Spain from the Americas in the
sixteenth century but did not feature prominently in Magyar kitchens and
restaurant menus till the nineteenth century!</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">How about Asia
without the chilli? Italy
without a tomato? Spain
without a pimento? </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">When the Spanish conquerors started
to return to Europe in the late fifteenth century with the looted treasures of
the Americas, they also brought back many edible nightshades, and with them, a
wealth of new foods that were to have a much more profound effect on the Old
World than mere gold.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">If you think that telling a
Hungarian that capsicums come from South America
is a challenge, how many Italians could care to admit that pasta with tomato
sauce is an Etruscan-American or Sino-American hybrid? </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">It is hard to imagine Irish,
Russian or indeed any European cooking without the potato?</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">But of course these seemingly seminal ingredients
arrived in Europe only with the discovery of
the New World.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Potatoes,</span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;"> Solanum tuberosum, </span></i><span style="font-size: large;">native to the Andes,</span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;"> </span></i><span style="font-size: large;">were
feared and deemed inedible by early religious fundamentalists as they were not
mentioned in the Bible.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Paradoxically, potatoes have
been transformed in Europe from an anti-famine
food to one that caused one of the most devastating famines of all in Ireland. A sad
lesson as to the dangers of monoculture that is still relevant today. The
humble spud also changed the way that America was populated with the vast
numbers of Irish fleeing the effects of the famine.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Potatoes have sadly changed
from being a healthy, naturally- nutritious and inexpensive food into one of
the most expensive processed foods and universal carriers of fat in the form of
fries. More please. </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">The potato was one of the
first foods to be genetically engineered and it may yet again seduce farmers by
providing income from genetically modified crops that will produce a type of
plastic. </span><i><span style="font-size: large;">It could be said that that’s what some potato products taste like
already.</span></i></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;"> Dried potato made its debut
[sorry] high in the Andes several thousand years ago in the form of
chuño,</span><i><span style="font-size: large;"> </span></i><span style="font-size: large;">where the sudden drop in overnight temperature was used
to freeze-dry potato that could be stored for years providing
insurance against famine. Chuño was also used to feed the Spanish
fleets on their return voyages. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">When all these new plants
first appeared it would have seemed like the original “Attack of The Killer
Tomatoes” as most nightshades or </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">solanaceae</span></i><span style="font-size: large;">
previously known or native to Europe were
poisons surrounded by superstition, black magic and witchcraft.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Wolf bane, Mandrake, Devil’s
Apples, Sodom’s
Apple, Henbane and of course Deadly Nightshade all belong to a group dangerous
enough to frighten even the man who eats everything.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Deadly nightshade, </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Atropa belladonna </span></i><span style="font-size: large;">[cruel and beautiful
lady]: its name comes from an early Italian practice where women would place a
drop of its juice into the eyes to dilate the pupils. A sign of beauty at the
time. One of its active ingredients is atropine, still used to dilate the pupil
for eye tests. Atropine was used as an antidote to a deadly nerve gas during
WW2; it also formed the basis of the legendary truth serum that was used to
extract confessions for many show trials </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">hmmm</span></i><span style="font-size: large;">.
All American journalists in Bagdad have phials
of atropine in their press kit. Please let’s not have a comeback here.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Huckleberries </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Solanum nigrum</span></i><span style="font-size: large;"> are an edible [when ripe]
form of what we often mistakenly call deadly nightshade, a weedy plant
that finds its home in any nook or cranny. It has a variable form but quite
a useful friend, when food is scarce for a poor man’s pie. The cooked leaves
are also eaten in India
and Indonesia. Did
Mark Twain allude to the sweet blueberry or the black nightshade for that
precocious rascal by naming him Huck Finn?</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Huckleberries or Wonder
berries provided one of the best food scandals or hoaxes of the early 20</span><sup><span style="font-size: large;">th</span></sup><span style="font-size: large;">
century, nearly ruining the reputation of that great plant breeder Luther
Burbank. Promoted to be a new miracle berry it fizzled with much public
embarrassment to become the Blunderberry</span></span></div>
<div class="MsoBodyText">
<span style="font-size: x-small;"><span style="font-size: large;">Mandrake has a history linked to debauchery and has been
said to cure anything except death, which it was also conveniently known to
cause. It was used to fool the Romans during Crucifixions and some have said
that because Jesus bled on the cross he was not dead but in a deep narcotic
sleep leading to a heretic’s view of the resurrection. Juliet may have taken
mandrake as her poison only to be </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">resurrected</span></i><span style="font-size: large;">
later in a tomb. On awakening she fears the shriek of the mandrake.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: x-small;"><span style="font-size: large;"></span><br /></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">In the second Harry Potter
film, there is a nice episode where the students are re-potting mandrakes.</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">Because the shriek of a mandrake as it is
being pulled up causes madness and death, the old herbals show how to use a dog
to pull it up.</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">In the film, all the
students wear earmuffs.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Tobacco [that other infamous
nightshade] has become the real Montezuma’s or, to be more geographically
accurate, the Mohican’s, revenge.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Tomatoes, </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Lycopersicon esculentum </span></i><span style="font-size: large;">[the</span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;"> </span></i><span style="font-size: large;">name translates to edible wolf peach],
have</span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;"> </span></i><span style="font-size: large;">had a very hard time getting to
the dinner tables of Europe. Even the
exquisite aroma of the green leaves was abhorrent to the early European
sensibility. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Although native to South America around Ecuador and Chile, it was
in Mexico
that the tomato was first widely developed for food. The common name tomato
also comes from the confusion between it and the name for the Mexican husk
tomato </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">tomatl </span></i><span style="font-size: large;">or tomatillo </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Physalis ixocarpa. </span></i><span style="font-size: large;">The tomatillo is
itself often confused for green tomatoes in recipes. Tomatillos and another </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">physalis, </span></i><span style="font-size: large;">the Cape gooseberry, have
wonderful exotic scented flavours that are slowly appearing in contemporary
dishes: they hold great promise in this climate.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Tomatillos are one of the most interesting flavoured and most simple to grow members of the nightshade family. With all the interest in Mexican cooking that hasbeen like a tsunami of taco its a wonder that the markets are not full of these wonderful fruits. Tomatillos are members of the Physalis or husk tomato family. There is a detailed story in an earlier blog entry from 2007 </span><a href="http://sunnybraerestaurantandcookingschool.blogspot.com.au/2007/12/tomatillo.html"><span style="font-size: large;">here.</span></a><a href="http://www.blogger.com/null"><span style="font-size: large;"> </span></a><span style="font-size: large;"> </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">From Mexico the
tomato arrived in Spain
where it initially attracted little attention. The earliest botanical reference
for tomato comes from the herbal of Matthiolus in 1544 and historian Vernon
Quinn[1942] records its early passage from Seville to Morocco and then from
Tangier to Italy. Which might explain its first Italian name of Pomo dei mori
or Moor’s apple? Matthiolus named it pomi d’oro or golden apple, perhaps
because the early forms were orange and yellow?</span><span style="font-size: large; mso-spacerun: yes;">
</span><span style="font-size: large;">Pomi d’oro becomes pomodoro and then pomme d’amour on its arrival into France. Sex is
a sure seller even back then. </span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipS7czckcIzdPZQvpOnHBHrPGwXnmkwcrKjXsQA8xnX0rbytv6Q0HGBZ4UGpYK_KhFdPArLThMTLxKx4SBiCZTeDA6WjUbBWq4-AEInKeOz8eL8broRqeHHSeZ02cvGR3fE8jXceFG5ME/s1600/tomatoes++drying.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipS7czckcIzdPZQvpOnHBHrPGwXnmkwcrKjXsQA8xnX0rbytv6Q0HGBZ4UGpYK_KhFdPArLThMTLxKx4SBiCZTeDA6WjUbBWq4-AEInKeOz8eL8broRqeHHSeZ02cvGR3fE8jXceFG5ME/s320/tomatoes++drying.JPG" width="240" /></a></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: x-small;"><span style="font-size: large;"></span><br /></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Tomato seeds have even been
to space and back in a seed promotion that rivals Don Burke’s efforts. The
seeds were sent up on the Columbia
spacecraft to see if zero gravity had any effect on germination. It didn’t. But
feeding tomato seed to tortoises has added to the theory that Galapagos Island’s
early forms of Wolf Peach were distributed by the slow digestive qualities of
the tortoise. </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">The most common mistake
gardeners make in growing flavourful tomatoes is to over-water them. Just as
with grapes a little struggle adds a lot of flavour.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Eggplants or melanzana
[translating as mad apples] are the only significant edible nightshades that
did not originate in the Americas.
They have been in use in Europe for a very
long time.</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">Eggplants are native to India, some
research credits Africa as a source, but
central Asia also have naturalised or even
native varieties. The form is so variable that it is hard to pinpoint is true
origins. The shorter white ones look just like eggs.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">The crossover to Europe has been said to have come from Goa
with the Portuguese who incidentally are said to have introduced chillies,
olive oil and olives to the East.</span><span style="font-size: large; mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Fair swap I reckon.</span></i><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">A good example of this exchange is found in
the kasoundi relish where 3 worlds meet with eggplant, chilli and olives. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Until chillies were brought
back from the Americas
it was Pepper that provided the spice that ‘hurts so good.’ Most of us like it
hot, and of all the new nightshades the chilli received the most enthusiastic
welcome, especially in Asia.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Columbus</span><span style="font-size: large; mso-bidi-font-size: 12.0pt;"> went out with pepper on his shopping list and
came back with the chilli that made it possible to provide a hot spice with a
great variety of flavour.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Pepper was hard and
expensive to grow, but chillies requiring less exacting climatic conditions
brought the world a cheaper thrill.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">The excitement of chillies
is in the way that the active ingredient </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">capsaicin
</span></i><span style="font-size: large;">at first burns, then as our natural endorphins kick in they give us the
equivalent of an athlete’s high. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">This excitement translates
to a heightened sensation of taste. The flavours of various chillies are also
quite distinctive when you get past the pain barrier. These subtle differences
are what add to the nuances in cooking of Mexico, Thailand and indeed any cuisine
that has a strong tradition of using chillies.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">The combination of chocolate
and chilli goes back to the very ancient times and finds its peak in the </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Moles </span></i><span style="font-size: large;">of Mexico.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">It is possible to date dishes by charting the
spread of this rather tasty form of ‘global warming.’ Pepper crab and Chilli
crab provide a clear example.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: x-small;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"><span style="font-size: large; mso-spacerun: yes;"> </span></span></i><span style="font-size: large; mso-bidi-font-size: 12.0pt;">In Australia we have more
than 130 varieties of native Solanaceae and more than 60 varieties that have
been naturalised. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">There
was widespread use of native solanaceae by Australian Aborigines for food as
well as for hunting and ceremonial use. The most widely known is Pituri, a
confusing name as it refers to many different native tobaccos: one of these
Pituri, </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Duboisia hopwoodii,</span></i><span style="font-size: large;"> contains
a very potent form of nicotine. It is rarely smoked but is used as a type of
patch and is highly addictive; it is sometimes used to stun prey while hunting
as is another native tobacco, </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Duboisia</span></i><span style="font-size: large;">
</span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">myoporoides.</span></i><span style="font-size: large;"> Less potent forms of
naturalised nicotiana are preferred for stimulation</span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">.</span></i><span style="font-size: large;"> </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">I have seen eggplants
grafted to Australian native tobaccos to produce vigorous and also perennial
forms. Talk about fusion...</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Those of us that subscribe
to the Gondwanaland theory can put Australia right into the middle of
the spread of this family of plants.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Many native nightshades
resemble the early forms of tomato, eggplant and peppers and may yield some
exciting new vegetables in the future.</span><span style="font-size: large; mso-spacerun: yes;">
</span><span style="font-size: large;">With the popularity of bush tucker native solanaceae like bush tomatoes
have started to appear on our menus. Bush tomatoes are the original sun dried
tomato as they are only edible after drying.</span><span style="font-size: large; mso-spacerun: yes;">
</span><span style="font-size: large;">We may find it hard to grow a really good tomato because the right
variety has yet to be bred for Australia,
and it may come naturally from a native stock. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Two other native nightshades
the Kangaroo apple </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Solanum
laciniatum</span></i><span style="font-size: large;"> and the closely related </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">S.
aviculare</span></i><span style="font-size: large;"> are only edible when perfectly ripe and should not be tried by
the amateur. These native plants, from which we receive the least benefit, are
among the world’s major sources of steroids used in the manufacture of oral
contraceptives.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Like the macadamia nut they
are mainly grown overseas. We do not have a local industry that utilises their
properties that include pharmaceuticals used in the treatment of menopausal
disorders and infertility.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">The pomme d’ amour may yet
become </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">true blue</span></i><span style="font-size: large;"> as the kangaroo
apple also contains alkaloids that are used to treat impotence. </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">But what does this
historical trivia mean in the context of modern Australian cooking? </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">I believe that because we
are in the middle of it, we cannot see that Australians are developing a
really new way of looking at food. This new movement is not just coming from
the frontline big time restaurants. There is a very fine sense of balance
emerging.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Coriander and parmesan
cheese type combinations are giving way to fine simple dishes. But while we
have access to some quite good ingredients, I believe we have to face some hard
facts. </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;">Most of the produce in our
mainstream markets is of a very mediocre standard if judged by its taste.
While Australian produce may not be radioactive as in some parts of Europe, the flavours just do not come up to scratch.
Unless you are plugged into the top of the food sourcing chain you may never
know what a tomato tastes like.</span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Figs, melons peaches indeed
almost any fruit are accepted under- ripe and tasteless. We would never accept
a warm beer in a pub but why do we put up with flavourless food?</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">All of our first quality produce is exported.
Ripe food should not be a luxury item but try to get a banana that tastes like
a banana, a simple cheese that has been matured properly. These foods are only
for the wealthy, the home producer or the gardener.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">In Europe
we find a different dilemma. The markets are full of some great flavours, ripe
cheeses and well grown and graded vegetables but inside the restaurant, that is
often, right behind the market, time has stood still. The same old dishes
without regard to season are monotonously offered. In Europe
home cooking still rules.</span><span style="font-size: large; mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">Surreal jelly fluffs and prawn brain juice
coming out of dada restaurant/laboratories are sexy enough for young cooks
to include the foam gas bottle and pipette into the kitchen kit, but where
are the role models for the next generation of growers without whom cooks are
stranded? </span></span></div>
<div class="MsoNormal">
<span style="font-size: x-small;"><span style="font-size: large;"></span><br /></span></div>
<div class="MsoNormal">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Self
righteous Sermon?</span><span style="font-size: large; mso-spacerun: yes;"> </span><span style="font-size: large;">maybe so, but if we
can encourage young people to question the origins and pathways that give us
flavour, this exciting free movement that is Australian cuisine can
develop; if not, the ideas and cooks will go to where the flavour grows.</span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: large; mso-bidi-font-size: 12.0pt;"> Once you have tasted
home grown and in season, there is no turning back. </span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;">Anyone for a wolf peach
sanger?</span><span style="font-size: large; mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="color: red; font-size: xx-small; mso-bidi-font-size: 12.0pt;"><span style="font-size: large;"></span><br /></span></div>
<div class="MsoNormal">
<span style="font-size: large;"></span><br /></div>
<div class="MsoNormal">
<span style="font-size: small;"></span></div>
<div class="MsoNormal">
</div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com2tag:blogger.com,1999:blog-1195036990155736213.post-50812045208094617362013-04-09T20:14:00.000+10:002015-10-01T12:27:16.996+10:00Palais Ideal a work of Fiction in progress <h4>
</h4>
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As he settled into the
pointy end of the plane Hawkins reached for the stack of gastro porn on the
shiny Mark Newson side table. On the front page of <i style="mso-bidi-font-style: normal;">hot.ink</i> was a fashionably distorted image of the latest restaurant
concept by Michael McLean in Melbourne. The photograph was a close up of the cast
iron art deco box office booth outside the Palais theatre in St.Kilda taken
with a homemade pinhole camera. <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Veri.Tas, </i>their Australian correspondent
pronounced that it was simply ’the most important, ambitious and audacious restaurtainment
project that Melbourne, the newly christened 2014 <i style="mso-bidi-font-style: normal;">World- Eat-City,</i> had ever seen’. When Gesualdi and Di Stasio opened
Rosati in the eighties the Melbourne binge meter was being seriously stretched but
this, Veri.Tas predicted, would see it re-launched out into another quantum
orbit altogether. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
But this was old news to
Hawkins. The pingsters had squittered it selectively and the blind parrots had
done the rest. First tweeted by Kozinski in Oslo, Veritas had now morphed it
back it into hipster print. It was a hit before the stoves were even lit.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>Veri.Tas was the nom de pad of that budding tweetmeister
who had single handedly broken the 2013 Wordpress scandal, shaking the repositioned
new ChefMaster food and wine portal into some serious legal backpedalling.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>Hawkins knew this was to be his final junket
from the agency and this time he was going to enjoy Rio with eyes wide open. Fifteen
years ago the other firm had sent him on assignment to test drive the new Musso
over the Andes for a feature in the motoring arm of the magazine. He thought it
was a well earned reward for the hard yards he had put in over those formative years.
The brand of car should have been a clue for when he returned his food editor’s
job had been given to the Sydney office and he was out on his own again. <span style="mso-spacerun: yes;"> </span>It had taken two good books and some serious
networking with the old school set, to get him back in print <span style="mso-spacerun: yes;"> </span>with the opposition. Slowly and carefully he
had worked his way back up to his rightful place as the much loved and trusted über
food critic of the Australian media again.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>The London arm of the agency had acquired The
Bottled Water World’s Most Important Foodie Awards Party rights when the 2016
Olympics city was announced and as a prelude the party was to be in Rio this
year. <span style="mso-spacerun: yes;"> </span>He felt flattered by the scale of
the kiss-off.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
Horace, his deep throat
at work, had confirmed to him a month ago what he had already gleaned from the
office vibes and other internal leaks that the second big restructure was on
and he was not going to make the cut. Nobody in the office was happy and he was
looking forward to getting the Dear John letter. The firm had become a
fragmented shadow of its proud printed past since the last downsize. Everyone
was working on a web based plan B. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>He
eased himself into the comfy pod pleased with the knowledge that the Afghan coffee
he had before leaving home was just about to kick in. He had convinced himself
over the years that his taste buds were harder to fool and that his bullshit
meter was calibrated to a much finer degree when he was caffeinated in this
medicinal way. It also helped him sleep. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
The flying sommelier offered
him the list and he chose the top domestic fizz with the fresh oysters and
finger limes. <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>He couldn’t be seen to be going the French on Qantas.
</div>
<div align="left" class="MsoNormal" style="text-align: left;">
As the svelte hostess
adjusted the reading matter she congratulated him on matching the terroir of
the bubbles with the oysters and placed a handwritten welcome note from the
cabin chef with a number to ring in Rio if he needed some local knowledge or
supplies.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>He was proud of his achievements. He never took
a freebie unless it was from trusted professionals who knew how much he
deplored cash for comment. On this, his slate was clear; his reputation was pretty
much intact. <span style="mso-spacerun: yes;"> </span>His contributors’ salary
and small retainer had kept him in touch with the common man and every time he
signed the corporate credit card he was able to empathise with Mr and Mrs
Average when he delivered his score.<span style="mso-spacerun: yes;">
</span>Value for money was one of his key criteria when reviewing a restaurant
and he understood that there could indeed be a great deal of value for money at
the top end of the market when armed with a company credit card. He was just as
comfortable, at least in print, at a hands-on owner operated local or a pop up
and always championed the dwindling remnants of old school hospitality of his
fading generation. He was a true Melbournian at heart. The Palais was a part of
his youth both as a music venue and the original cinema. He thought it was an
inspired spot for McLean to launch his new venture. As a school boy he knew
how to sneak into all the theatres and amusement parks in St.Kilda and forged his
street smarts and cultural cred in the front stalls of the Victory and Palais from
The Three Stooges and Western serials, later <span style="mso-spacerun: yes;"> </span>to hot schoolie dates graduating to Irwin
Rado’s exquisite film festivals and midnight post mortems over schnitzel and
Jazz at the Black Rose. But the unbreakable bond to the building was formed
while listening to the Stones, Roy Orbison and the Easybeats from outside the
stage door one wild night in the 60’s in the rain. <span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
The old theatre was being
restored with a good whack of State and Federal government money. The new
management consortium was born out of the original Save St.Kilda protest
movement when the site was first mooted to be re-developed about a decade ago. <span style="mso-spacerun: yes;"> </span>But they had all grown up since then proudly
thinking that a grass roots protest had been able to make a difference and save
the character of the precinct. This time around it would be a softer touch. A careful
restoration combined with sustainable use of a passive and public space. A single
screen 3000 seat auditorium, while as beautiful and historically important as the
Palais was, had only a limited commercial use. The idea was subtle. McLean’s
model simply did not exist except when it was performing. Four hours after last
drinks there was no trace left. An easily digested concept borrowed Adam
Tiahny’s treatment of Le Cirque 2000 in New York that was housed in a heritage
mansion with similar restrictions to the Palais in that nothing could be
allowed to alter the fabric of the building or its interiors. He had also
borrowed from Michael Pollan and Marshall McLuhan with more than a passing nod to
Barnum and Bailey.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
It was after Kylie had
asked McLean to cater for a mega charity bash for the Breast Cancer Foundation at
the theatre about 18months ago that the concept began to emerge from the
thought tablet. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
A portable village square
would be grafted on to the Palais. Complete with a Banqueting Hall cabaret
inside for the highflyers surrounded by an outdoor pop up hawkers’ market and
circus with side shows and screens for the happy peasants out on the street. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
Kylie had planned a
modest $2000 a head sit-down supper of home grown seasonal produce for 300 after
the charity show. The line up included local Greens member in waiting Paul
Kelly. Rachael Griffiths led the charity auction bidding. Add a flying trapeze avec une
burlesque chanteuse with Julia Zemero as ringmeister and what you got was grass
roots St.Kilda style with serious money pledged for the cause.<span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
The evening had been a
triumph. In a curatorial coup Kylie asked Baz Luhrmann to choreograph the
evening which was quickly rumoured yet again to be her last live performance.
The show began with Nick Cave and Tex Perkins simultaneously sliding down wires
from the gods to the faux Royal balconies to hand-start the propellers of a
couple of Sopwith Camels. After a few false cranks and loud backfires Nick and Tex
got the planes revved up and as the lights on the balconies came up they
revealed the rhythm sections of the two bands building up a killer cross
hatched syncopated groove. Kylie strolled on stage dressed in understated Jean
Luc Goddard ‘68 Paris street fighting chic. The show was lightly rehearsed giving it a
dangerous edge. Lots of gasp inducing guests. Kylie in cabaret, no safety net with
serious oids in the choir, orkestra and airforce. <span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
She closed the show with
Gurramul and chilled the crowd for what was to follow. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
Only a handful in the
audience recognised that Baz had borrowed the concept from an 80’s big fuck off
charity bash in London that Ian Drury and Elvis Costello had produced for the Living
with Bi Polar cause at the Hammersmith Odeon but Baz was only too happy to
acknowledge the homage. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
McLean had managed to
inspire the country cousin restaurants with kitchen gardens to provide the largely
vegetarian produce and it was all volunteer hands on deck in the new Podmaster
Catering Modules that were being simultaneously launched into the pop up street
market by the white hot Slipstream Design Co-Operative. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
On arrival the foyer
looked just as splendid as it had always looked with no clues to what would
appear later. There was no interval and at the end of the encores the side
doors of the Palais opened and those without supper seats poured out onto the
pavement where circus OZ had set up a stage amongst a village of sideshows and <span style="mso-spacerun: yes;"> </span>pop ups to ease the pain of those not going to
the after party cabaret. The outdoor component of the concept from McLean was
an historic nod to the original carnival that stood there along the promenade
till the sixties.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Luna Park was open. All profits went to the
charity.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
While the big show inside
had been in progress the roadies had seamlessly bumped in an Asher Bilu styled cosmic
cabaret installation with a small stage into the centre of the Palais foyer that
had a trapeze over the top from the balconies. 30 tables of 10. <span style="mso-spacerun: yes;"> </span>It was pure Pinder Last laugh retro Melbourne.
Perfect.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>The food served was a hit parade of McLean’s
last decade of signature small dishes easy to assemble from five different mini
Slipstream modules. The rat pack of Melbourne’s A list front of house doorbitches
babysat the student waiters and each table had a well known face who managed
the table-hopping strategy while pimping bids for the auction on their handsets.
The older guests were talking Capote the younger ones Cadillac Bar. Over three
million dollars was raised from the tickets, TV, Download rights, product
placements and the charity auction. Everybody had made a fair cop. It was a
smash. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>Some of the industry had begun to see a
pattern in McLean’s rise to the top of the Melbourne food scene. But few understood
that his method was simply to go with the flow and when the push was strong,
the gut instinct overwhelming and the smart money pump primed, he simply
knuckled down and got on with it to set the plates spinning into the air. The lifestyle
and social press just followed. No matter how silly and transparent the concept
was, the scribes could be relied upon to boost it to a mega profitable level
very quickly. What else could they do? It was not like he had an army of PR
people either; it was just that his charm and chutzpah were irresistible and he
had learnt to take his trusted people along with him for the ride for a fair
slice of the pie. Over the years the press had swallowed the high-rise
blingatorium with as much ease as the five star Las Vegas meets Gustave Klimt
super shiny hotel dining room. They worshipped at the dude food megastores with
the same relish as at the faux Parisian post ironic brassiere two decades
earlier. He had never let them down with good copy.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
This was to be the new
amorphous Speigltent that you could bump into any space. You even took all your
own piss and shit away with you if the venue had no plumbing and get brownie
points for dumping it back at the farm. A real karma chameleon. <span style="mso-spacerun: yes;"> </span>The backup batteries were solar charged, you
ate from recycled everything depending on the venue. It could be a dinner for
200 on Sèvres and Jensen borrowed from the High Street dealers or equally it
could be unpronounceable recherché produce on restrained op shop chic for the
same price. Only the suburbs and funny money went after the expensive bling.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
Catering had been in the
hands of the staid establishment for decades it was time for a more relaxed,
sustainable way to launch the next new German eco-car or provide a hitching
post for the rapidly emerging urban green-washed economy. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
The first Palais gig had
created such a buzz that it was ready to be repeated before the night was over.
McLean knew his brand was getting invaluable value for the volunteer effort and
he also quickly grasped that the business model to come out of this A list
focus group would have to be limited to a short summer season to stop the
concept from overheating. It had no name but Veri.Tas eventually christened it the
Palais Ideal after the mad postman’s folly in Hauterives. <span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
Hawkins was old school,
he was taught to let a new venue settle in for a couple of months before giving
it his professional attention but these days even a small opening let alone the
theatre style flash-mob preview nights that major players held were
micro-managed for the web so it was a case of joining the neophilliacs and just
sucking it in. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>He had played no small part in the rise of Mr.
McLean. <span style="mso-spacerun: yes;"> </span>Hawkins was the first to review
him after his prodigal return from France. This first restaurant celebrated his
working class background with a refined peasant bistro in an old bakery in
Wattletree Road that had more than a passing reference to Chapelle. <span style="mso-spacerun: yes;"> </span>They had met at Mietta’s and McLean followed Chapelle
back to France to be with the master. The intensity of that first kitchen was
deadly and McClean had attributed part of its gravitas to a short stage with Loiseau
just before the great man had shot himself.<span style="mso-spacerun: yes;">
</span>It all added colour to what in Hawkins’ considered professional opinion
was simply to date, the best food he had ever eaten in Melbourne. This crown of
excellence he had repeated over the years in reference to McLean from the coolest,
the hottest the most sustainable, the most exciting, the most original, most
authentic or just the most!. Now he had to conceptualise yet another adjective
to sum up the latest project. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
Hawkins had been careful
to keep a respectable distance from the industry. He got on well with all the
main players choosing carefully his targets of negative criticism. Then if they
did not react with too much hostility he would over compensate them the next
time the opportunity arose. If they fell over in the mean time, well there was
really nothing he could do. He was sued a couple of times but won most of the
cases. The company losses to date were minor. The board loved the rise in
readership that a good court case could provide. Over the years he had learned
a great deal about defamation, libel, slander, and their associated laws and he
had developed a very considered style where if he wanted to sharply criticise a
restaurant he would simply give the chef or restaurateur enough quote-rope to do the deed for
him. <span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
Positive reviews were
easy to write provided there was something new to hold up the hubris. It was
not important that the new new was an obscure recycled concept, or just a direct copy what was
important was that it was new to Melbourne. A really original concept was
risky. He had struggled with this latest review but after interviewing McLean
at his home he quickly realised that a compass could easily switch poles if the
magnetic force was strong enough.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<br /></div>
<div align="left" class="MsoNormal" style="text-align: left;">
He looked at his watch
that was still on local time, safe with the knowledge that when his much
awaited review of McClean’s new folly broke online he would be peacefully
flying over the Pacific.<br />
<br />
Chapter 3</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<br /></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-33970521338556365402013-02-26T11:17:00.000+11:002015-10-01T12:27:50.601+10:00Adios Amigo Vale Angel Luis Cardoso<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;"> </span><img alt="[dscf0009.JPG]" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUooItrIEceVSfMQKqBdQGwPDHsO-bFx3HT4iZyDxShdQk_TapLNXgX6SjuKYYgNwLC63-6qoiqz0o1rbKx8oOgdmKqZX_Cf7_WtgU-gjefcNUwCiQMrV9rYaHXl8OWfVTXbPIedBrzcg/s1600/dscf0009.JPG" /><br />
<br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;">Angel
Cardoso the legendary pioneer of naturally cured Spanish smallgoods manufacture
in Lara has died in Geelong aged 78. When Angel came to Australia from Spain in 1962
to work as an aeronautical engineer and instrument maker, little did he know
that the future held a complete change of lifestyle, and that he would gain the
reputation as the maker of Australia’s finest Spanish style smallgoods,
including Jamon Serrano hams, salamis, chorizo sausages and more. An
administrative clerical oversight saw his groundbreaking enterprise closed just
when imported products made in the same way were allowed to be imported. He
never recovered emotionally from the loss of his passionate artisan craft and
felt abandoned by the industry that had so warmly embraced his products when
they were available. A jovial, generous and dapper bon-vivant he has added much to our
food and wine culture.</span><br />
<br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;"> Sadly missed by many. <br style="mso-special-character: line-break;" />
</span><br />
<br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;">Funeral will be at Tucker's on Friday March 1 at 2pm</span><br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;"> 68-74 Hope Street Geelong 52214788</span><br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;"><br style="mso-special-character: line-break;" />
</span><br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA; mso-fareast-font-family: PMingLiU; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast;">Back story <a href="http://sunnybraerestaurantandcookingschool.blogspot.com.au/2007/12/jamon-jamon.html">here</a><br style="mso-special-character: line-break;" />
</span>George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-69886124599188822732013-02-15T22:16:00.000+11:002015-10-01T12:24:54.267+10:00Tarbler Doat.<!--[if !mso]>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKNUB7Uj8FIMUYPdcxY_oE66ZGZGU34HVm-t1a5v-Dkz27Njrnz2BYNNgUYqbAnvwdryW1bJW73OPr0VAGpa4D424GaCMHlQySeOBLOg78z59zOfm-rT3pyCLw0UYynFAM41pOEcqt8Qc/s1600/chat+noir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKNUB7Uj8FIMUYPdcxY_oE66ZGZGU34HVm-t1a5v-Dkz27Njrnz2BYNNgUYqbAnvwdryW1bJW73OPr0VAGpa4D424GaCMHlQySeOBLOg78z59zOfm-rT3pyCLw0UYynFAM41pOEcqt8Qc/s400/chat+noir.jpg" width="310" /></a></div>
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<span style="mso-no-proof: yes;"><br /></span></div>
<div class="MsoNormal">
<br /></div>
<div align="left" class="MsoNormal" style="text-align: left;">
There has been a lot of
discussion about multi course menus with the now ubiquitous moniker of a
Degustation or <i style="mso-bidi-font-style: normal;">Degu</i>.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>It goes like this with new inquiries. <span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
Ring Ring?</div>
<div align="left" class="MsoNormal" style="text-align: left;">
Hello. Yes is this
Sunnybrae?</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>Yes can we help you?</div>
<div align="left" class="MsoNormal" style="text-align: left;">
Yes, do you do a degustation
menu? </div>
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Well not exactly</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>Then what’s the style of the menu?</div>
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<span style="mso-spacerun: yes;"> </span>At this point I usually say it’s a long lunch
comprising of five substantial courses spread over the course of the afternoon.
</div>
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More often than not a
sigh of relief is heard and a booking might be made.</div>
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My first memory of the
word degustation comes from the seventies at the beginning of the rise of the “Nouvelle Cuisine”<span style="mso-spacerun: yes;"> </span>from a French [hey! its a
French word] <span style="mso-spacerun: yes;"> </span>revolutionary culinary <span style="mso-spacerun: yes;"> </span>movement <span style="mso-spacerun: yes;"> </span>reacting vigorously <span style="mso-spacerun: yes;"> </span>against a slothful post war food binge. They used
it to present the best seasonal balanced regional menus they could muster up, usually
for larger groups to show off their understanding of the balance that centuries
of French gastronomy had provided in a modern manner. They took out the trills
and do dahs, the frilly garnishes, lightened the liaisons and generally made
the experience a soft ride from light to dark from sea to sky to pasture to
orchard with such exquisite nuance and structure that you knew it just couldn’t
last.</div>
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It wound up quickly at
the hands of the commercial dilettantes as embarrassingly tiny portions of
neophilic anorexic patterns on a plate.</div>
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Country restaurants at
that time had a different structure. Table d’hote. It translates to ‘host’s
table’ <span style="mso-spacerun: yes;"> </span>In a traditional sense a table d’hote
menu is a multi course meal served with [and this is important] a few <b style="mso-bidi-font-weight: normal;">choices</b> at a fixed price with the
cutlery for the savoury courses set at the table on arrival. </div>
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And this, I have always
felt, was the most convivial format for a country restaurant with a big garden
that only serves lunch to present the best of the season. </div>
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Sadly Table d’hote does
not have the same timbre of a<span style="mso-spacerun: yes;">
</span>daygoostation or daygoo in this modern era .</div>
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<span style="mso-spacerun: yes;"> </span>But that’s what we do and still believe its
the fairest and most generous way to provide a long lunch in the country. I
have resisted <span style="mso-spacerun: yes;"> </span>explaining to date how
and why we compose the menu preferring to let you experience it without too
much background information to distract you from your companions.That's what the waiters are for if you need to know the fine details. </div>
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Tomorrow’s Menu <a href="http://sunnybraerestaurantandcookingschool.blogspot.com.au/p/recent-menus.html">here <span style="mso-spacerun: yes;"> </span></a></div>
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<br /></div>
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<br /></div>
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<br /></div>
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Recycled Cartoon Caption Competition.</div>
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<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
<div align="left" class="MsoNormal" style="text-align: left;">
Willy <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>“I
like this restaurant”</div>
<div align="left" class="MsoNormal" style="text-align: left;">
Wanda <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>“Yes it’s got a scratch and sniff menu”</div>
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Tammy<span style="mso-spacerun: yes;"> </span>“ Is that a Dogustation?” </div>
<div align="left" class="MsoNormal" style="text-align: left;">
<br />
Feel free to add your own
caption.<span style="mso-spacerun: yes;"><br /></span></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com1tag:blogger.com,1999:blog-1195036990155736213.post-72577508192203906552013-02-07T10:19:00.003+11:002013-02-07T10:25:25.547+11:00Business as Usual and Updated Real Estate Information <!--[if gte mso 9]><xml>
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<br />
We have had many inquiries as to sale details bookings for the restaurant, cooking classes and such. Simply said Its business as usual until we sell the property.<br />
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We have appointed Peter
Moore from Melbourne Commercial Group to handle the sale.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<a href="http://sunnybraerestaurantandcookingschool.blogspot.com.au/p/blog-page_7.html">http://sunnybraerestaurantandcookingschool.blogspot.com.au/p/blog-page_7.html</a></div>
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In 1976 Sunnybrae was a
sleeping treasure with great bones. A distinctive but modest cottage built in
1868 by local builder brickie Pell whose signature Flemish bond brickwork is a part
of the identity of Birregurra. It is now a working restaurant , cooking school
and restored residence awaiting the next generation.</div>
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To arrange a private inspection
or to clarify any other details please contact Peter 0429833322 who has extensive
hospitality experience both as an operator and a real estate agent.</div>
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<br /></div>
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Interactive Site Plan and
Peters details can be found here </div>
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<a href="http://sunnybraerestaurantandcookingschool.blogspot.com.au/p/blog-page_7.html">http://sunnybraerestaurantandcookingschool.blogspot.com.au/p/blog-page_7.html</a></div>
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<br />George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0tag:blogger.com,1999:blog-1195036990155736213.post-38155780760762119402013-01-29T14:45:00.001+11:002013-01-29T14:54:07.953+11:00Woodfired Cooking 101.1<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEGh0NRn_wqbGz8PGcMX6-jmJyecWoMHb4FQ971TleIAQpRf_kLGPDWqXs6xyLOXWpcNH5bCFvrlx2T4bedKjj82cqm-IGXEUkhP5KEoqsHOuBxefaStELUPpMGrir1JXxyZK6j_FkJ5o/s1600/Oven+building+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEGh0NRn_wqbGz8PGcMX6-jmJyecWoMHb4FQ971TleIAQpRf_kLGPDWqXs6xyLOXWpcNH5bCFvrlx2T4bedKjj82cqm-IGXEUkhP5KEoqsHOuBxefaStELUPpMGrir1JXxyZK6j_FkJ5o/s400/Oven+building+1.jpg" width="400" /></a></div>
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<div class="MsoNormal">
<br /></div>
<div align="left" class="MsoNormal" style="text-align: left;">
Wood fired ovens have had
a great surge in popularity in recent years and the most common questions we
are asked both in cooking classes and in the invariably big boy’s huddle that
forms in the courtyard around the oven during lunches is- How they work? And how
to use them?</div>
<div align="left" class="MsoNormal" style="text-align: left;">
The oven here at
Sunnybrae is a masonry bread oven designed and built by Alan Scott in 2003 [photo
journal <a href="https://picasaweb.google.com/109181844846737804710/OvenBuilding"><span style="color: red;">here</span>]</a> <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>that is a little different to some other
wood fired ovens in that the construction, <span style="mso-spacerun: yes;"> </span>unique to Alan’s designs are built in layers
for very good heat insulation to enable stable cooking for a long time once the
oven is fired up. There are essentially two different ways to use a masonry
oven firstly with a fire inside and the front door open for Pizza or roasting
and such and also with no fire, just residual heat built up after it has been
fired.<span style="mso-spacerun: yes;"> </span>Alan’s designs follow ancient
traditions but also have very modern thermodynamic features that ensure stable
temperatures are held that can be accurately read and interpreted. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
These ovens work on
slightly different principles to normal gas and electric ovens in that they use
radiant heat to cook. The mass of the superheated oven radiates infra red heat
evenly from all sides that penetrate the goodies that you are cooking as
opposed to conventional ovens that heat the air in the oven to transfer the
heat by induction to the ingredients to be cooked. Outdoor heaters and hot water
circulating radiators are also infra red.Its a different heat.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
You can use any dry timber
for fuel to heat up the oven but if you are cooking with the fire inside the
choice of wood is very important as it will impart flavour from the smoke.<span style="mso-spacerun: yes;"> </span>For baking bread the oven is empty so any dry
timber can <span style="mso-spacerun: yes;"> </span>go in to heat it up. If you
do not have a good supply of free or inexpensive timber you may need to
consider that as an oven like this takes about a full wheelbarrow of wood to
get it to baking temperature. <span style="mso-spacerun: yes;"> </span>For
roasting with a fire in, it takes about half that amount to get it up to
minimum heat. <span style="mso-spacerun: yes;"> </span>The indigenous species boundary timber
plantations we put in here at Sunnybrae about 30 years ago are mature and now
supply <span style="mso-spacerun: yes;"> </span>most of the fuel for this oven.
Every year we harvest any dead wood or fallen branches and this takes care of
our needs for the oven and also some of the heating in the cottage.<span style="mso-spacerun: yes;"> </span>The local mill at Birregurra also has off
cuts that are very useful.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
The unique principle of
an Alan Scott oven is in the layering of its construction. The inner layer is
masonry firebricks, the layer below that is a floating concrete slab, the layer
below that is a vermiculite foam and the final layer is air. Old historic ovens
sit on a base of sand or rocks or bricks. In the past it was thought that the
more mass the oven sits on the more insulation it would have. But modern thermodynamic
principles display that heat would rather flow into sand or rock or any dense
mass rather than into air. Its the same principle as double glazed windows.
Alan’s designs have a temperature probe in the centre of each layer, six in all, both at the
top and at the bottom. So at any time you can tell the temperature of the
chamber and how much heat is stored in the other layers.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
So if the temperature of
the bricks inside is say 220C at the top and at the bottom the temperature is right
for baking bread but if the second layer is say 100C then it will cool too fast
to cook the bread.</div>
<div align="left" class="MsoNormal" style="text-align: left;">
If the inner layer is
220C and the second layer is 250C and the third layer is 280C then the oven
will be able to cook batch after batch as the outer layers send their heat into
the centre rather than into the air. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
Once you have been baking
with a masonry oven you quickly learn how fast it heats and how slow it will drop temperature.
Its a metaphysical bond that grows between you and the oven as you get to use it more and more.<span style="mso-spacerun: yes;"> </span></div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="mso-spacerun: yes;"> </span>This is an introduction to a user’s guide to an
Alan Scott Oven<span style="mso-spacerun: yes;"> </span>part of a larger user’s
guide to Sunnybrae infrastructure that I will pass on to the new owners. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
Alan’s son continues the
legacy here <a href="http://ovencrafters.net/">http://ovencrafters.net/<span style="mso-spacerun: yes;"> </span></a></div>
<div align="left" class="MsoNormal" style="text-align: left;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFuUTCmUjUIiZM_BWmhJLXHwaCnwwvckQAv6GGcv5-zRHGM_s9pNqSsTNCEM9WB9b9hdHoXA44HuTPTmIxvyjJY416G5SfVhFbWmbMz9L-l3J2yvdieA9JjDfu3xurbbd4uEgSawqIJM/s1600/Oven+Building+3.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFuUTCmUjUIiZM_BWmhJLXHwaCnwwvckQAv6GGcv5-zRHGM_s9pNqSsTNCEM9WB9b9hdHoXA44HuTPTmIxvyjJY416G5SfVhFbWmbMz9L-l3J2yvdieA9JjDfu3xurbbd4uEgSawqIJM/s400/Oven+Building+3.JPG" width="400" /></a></div>
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<br /></div>
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<br /></div>
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<span style="mso-spacerun: yes;"> </span></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com2tag:blogger.com,1999:blog-1195036990155736213.post-473249310766878952013-01-01T15:34:00.001+11:002021-11-11T13:45:01.958+11:00New Years Day<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii3_yIZ88Ct55kfNo1IYx22y70A1do2wUHbgzUVHPoavlNUS5ki0b2P__X736xwo59P8ivo-hdlIpN8HQC6FpUnARjAqPG0AmujuPO2JGhaoLZfT5iLt6KaVDrRa0lkcTMpBegbu-dWiw/s1600/XMAS+2012+3.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii3_yIZ88Ct55kfNo1IYx22y70A1do2wUHbgzUVHPoavlNUS5ki0b2P__X736xwo59P8ivo-hdlIpN8HQC6FpUnARjAqPG0AmujuPO2JGhaoLZfT5iLt6KaVDrRa0lkcTMpBegbu-dWiw/s400/XMAS+2012+3.JPG" width="400" /></a></div>
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<br /></div>
<div align="left" class="MsoNormal" style="text-align: left;">
A big thank you to all
that called in, wrote, texted, pingged, emailed or tweeted their surprise, sadness,
encouragement, indignation, mild abuse and other sentiments received on the news that we are
on the market. We feel fine its not an obituary. As soon as the silly season is over we will let you know all the
details in the meanwhile its business as usual. </div>
<div align="left" class="MsoNormal" style="text-align: left;">
The yabbies are biting
and Wanda has learned to retrieve the nets, steal the bait and liberate the
catch if she is not otherwise distracted or tied up while the nets are in the
dam. The season is pitch perfect with the white peaches ripe and ready for New
Years day’s Bellinis and Kate our mate <span style="mso-spacerun: yes;"> </span>from Padua is in for a treat tonight. Some of
the red and white fraise de bois strawberries have survived the
in-between-courses-walkers’ gleaning. We had lost all the wild white strawberries
in the drought years but thankfully Darryl and Sue had taken some cuttings and
then when the rains came they brought some back and they are thriving. The red
frais de bois I rescued from a large garden that was clearing them out ready
for the tip-- go figure?. The aroma as you walk past the strawberry beds is so strong that I
am not surprised they get eaten each week by the walkers. The white ones are
safe because everyone except the cognoscenti think they are un-ripe.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLLvHXuj2pV4XcU7HXqfYckJTp6CJTF56eyqG3aSFaaDCcnEcb3onB8ypz8MajRTrcEOYs2NxVh3GNqy8s7DfuOc_rLgVevTgaH-eLCUtMch4n8BqC5pAvLTWnyASkwB_p9FOpc5mRR1M/s1600/P1040663.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLLvHXuj2pV4XcU7HXqfYckJTp6CJTF56eyqG3aSFaaDCcnEcb3onB8ypz8MajRTrcEOYs2NxVh3GNqy8s7DfuOc_rLgVevTgaH-eLCUtMch4n8BqC5pAvLTWnyASkwB_p9FOpc5mRR1M/s320/P1040663.JPG" width="320" /></a> These wild
wonders are perfect for the home gardener as they are almost impossible to find
in the market because they do not travel. They have not yet been
selectively bred for transport. Thank bloody goodness. The mulberries are about a month off here and they are nothing like the tasteless ones seen in the market earlier in the season. </div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqx2BFyecUKqv-SU4P-JhFYvo8CUP1hPt8b9sC9giszD_I3suFvuatNHqrP0syrnOQYjwxqvAguu6xp-XpDJkwpEjk-6-ErG6T2ggi7IgxJfzKvK2tZN0qiJfql-PfS9xiKhj3OFQ2d10/s1600/New+years+day.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqx2BFyecUKqv-SU4P-JhFYvo8CUP1hPt8b9sC9giszD_I3suFvuatNHqrP0syrnOQYjwxqvAguu6xp-XpDJkwpEjk-6-ErG6T2ggi7IgxJfzKvK2tZN0qiJfql-PfS9xiKhj3OFQ2d10/s320/New+years+day.JPG" width="320" /></a></div>
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<br />
All the very best for 2013
from the four, three, and two leggeds here at Sunnybrae.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"><br /></span></div>
George Biron http://www.blogger.com/profile/03592491708632830206noreply@blogger.com0